as Scott has it--these were his companions, older or younger. None of
these, certainly not Wilson, nor Hogg, nor Aytoun, were friends of the
Romantic school, as illustrated by Keats and Shelley. None of them
probably knew much of Gautier, De Nerval, Borel, le lycanthrope, and the
other boys in that boyish movement of 1830. It was only Stoddart,
unconsciously in sympathy with Paris, and censured by his literary
friends, who produced the one British Romantic work of 1830. The title
itself shows that he was partly laughing at his own performance; he has
the mockery of _Les Jeunes France_ in him, as well as the wormy and
obituary joys of _La Comedie de la Mort_. The little book came out,
inspired by "all the poetasters." Christopher North wrote, four years
later, in _Blackwood's Magazine_, a tardy review. He styled it "an
ingeniously absurd poem, with an ingeniously absurd title, written in a
strange, namby-pamby sort of style, between the weakest of Shelley and
the strongest of Barry Cornwall." The book "fell dead from the Press,"
far more dead than "Omar Khayyam." Nay, misfortune pursued it, Miss
Stoddart kindly informs me, and it was doomed to the flames. The
"remainder," the bulk of the edition, was returned to the poet in sheets,
and by him was deposited in a garret. The family had a cook, one Betty,
a descendant, perhaps, of "that unhappy Betty or Elizabeth Barnes, cook
of Mr. Warburton, Somerset Herald," who burned, among other quartos,
Shakespeare's "Henry I.," "Henry II.," and "King Stephen." True to her
inherited instincts, Mr. Stoddart's Betty, slowly, relentlessly, through
forty years, used "The Death Wake" for the needs and processes of her
art. The whole of the edition, except probably a few "presentation
copies," perished in the kitchen. As for that fell cook, let us hope
that
"The Biblioclastic Dead
Have diverse pains to brook,
They break Affliction's bread
With Betty Barnes, the Cook,"
as the author of "The Bird Bride" sings.
Miss Stoddart had just informed me of this disaster, which left one
almost hopeless of ever owning a copy of "The Death Wake," when I found a
brown paper parcel among many that contained to-day's minor poetry "with
the author's compliments," and lo, in this unpromising parcel was the
long-sought volume! Ever since one was a small boy, reading Stoddart's
"Scottish Angler," and old _Blackwood's_, one had pined for a sight of
"The Necromaunt," and here, clean in its "pure purple mantle" of smooth
cloth, lay the desired one!
"Like Dian's kiss, unasked, unsought,
It gave itself, and was not bought,"
being, indeed, the discovery and gift of a friend who fishes and studies
the Lacustrine Muses.
Public-domain text, read in full here on John Shaqi.
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