Tennyson was not persecuted. He was not (and more honor to him for his
clearness) even misunderstood. I have never met with the contention
that he stood an inch ahead of the thought of his time. As for seeing
through death and life and his own soul, and having the marvel of the
everlasting will spread before him like an open scroll,--well, to
begin with, I doubt if these things ever happened to any man. Heaven
surely has been, and is, more reticent than the verse implies. But if
they ever happened, Tennyson most certainly was not the man they
happened to. What Tennyson actually sang, till he taught himself to
sing better, was:--
"Airy, fairy Lilian,
Flitting fairy Lilian,
When I ask her if she love me,
Claps her tiny hands above me,
Laughing all she can;
She'll not tell me if she love me,
Cruel little Lilian."
There is not much of the scorn of scorn, or the love of love, or the
open scroll of the everlasting will, about _Cruel Little Lilian_. But
there _is_ a distinct striving after style--a striving that, as
everyone knows, ended in mastery: and through style Tennyson reached
such heights of thought as he was capable of. To the end his thought
remained inferior to his style: and to the end the two in him were
separable, whereas in poets of the very first rank they are
inseparable. But that towards the end his style lifted his thought to
heights of which even _In Memoriam_ gave no promise cannot, I think,
be questioned by any student of his collected works.
Tennyson belongs, if ever poet belonged, to Class 2: and it is the
prettiest irony of fate that, having unreasonably belauded Class 1, he
is now being found fault with for not conforming to the supposed
requirements of that Class. He, who spoke of the poet as of a seër
"through life and death," is now charged with seeing but a short way
beyond his own nose. The Rev. Stopford Brooke finds that he had little
sympathy with the aspirations of the struggling poor; that he bore
himself coldly towards the burning questions of the hour; that, in
short, he stood anywhere but in advance of his age. As if plenty of
people were not interested in these things! Why, I cannot step out
into the street without running against somebody who is in advance of
the times on some point or another.
Of Virgil and Shakespeare.
Public-domain text, read in full here on John Shaqi.
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