Adventures in SilenceCollingwood, Herbert W. (Herbert Winslow)
Science
Adventures in Silence
Collingwood, Herbert W. (Herbert Winslow)
Deafness
Well, it broke up the show! Next to the fury of a woman scorned is the
wrath of a crowd of country people who have paid their money for a
thrill only to find themselves served with a very thin trick. They see
no humor in the situation, and an exposure of this sort is a cruel blow
at their pride and judgment. People with humor and philosophy would have
laughed at the joke and polished it up for the benefit of their friends,
but this hard-headed, serious folk could only find relief by pulling
down the tent. In a far larger way this is what the solid, unreasoning
and unimaginative element of a population will do to a state or a
national government when some political trick has been exposed.
It was the “wild man” himself who saved the situation in the circus
tent, and tamed the outraged audience. He pulled off his wig and beard
and shed the claws which were fitted to his fingers like gloves. Then
there stood revealed a small Irishman with a freckled, good-natured
face.
“Sure,” he said, “the game’s up and I’m glad, because it’s a tiresome
job. I’ve worked on a farm in my day, and I’d like to do it again. If
any of you farmers here will give me a job, I’ll take it.”
“And me, too!” said the “mate”; when “her” frowsy head dress came off
there was a red-haired young fellow of pleasant countenance. They both
got farm jobs and lived in that community for several years. The “mate”
finally married a farmer’s daughter!
It has been said that the primary effect of sound is the creating of
moods; psychologists have spent much time in analyzing the connection
between sound and fear and kindred emotions. It is easy enough to
realize that sight must inform or directly affect the intellect. Theater
managers prove the necessity of supplementing sight with sound when they
obtain a full play of emotion by giving the audience appropriate music,
which they stress during emotional passages. Perhaps what we _are_ is
determined by what we see, while what we _feel_ is decided by what we
hear. The deaf are frequently termed hard-hearted and even cold-blooded.
I have known deaf persons actually to smile at cases of grief or injury
which seemed tragic to those who could hear what the unfortunate victims
were saying. They saw only the physical contortions. Suppose you with
good ears and I in my silence, walking together, meet a little crying
child. I can only observe the outward signs of distress; I see her tears
and watch the little chest rise and fall with her sobs. My sympathy can
be only vague and general—I may even smile to myself over the shallow
sorrows of childhood. It will pay you to stoop over and hear the whole
story, to catch every tone of the little, grief-stricken voice. I have
no means of offering intelligent consolation, perhaps you can explain
the trouble away or offer a quick diversion.
Public-domain text, read in full here on John Shaqi.
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