The witch-doctor waited while the little skins were placed and then
knelt down facing Makeza, who also knelt at a sign from L'Tunga. Next
the assistants placed two roughly carved wooden figures, about a foot
high, in front of the witch-doctor. These are known as "ovitakas" and
are supposed to represent the spirits that are to be invoked for the
divination. It was plain to see that the figures were male and female.
L'Tunga then put on a necklace which was handed him by an assistant.
This seemed to be made of teeth of various wild animals, those of the
lion being most noticeable. He next picked up a gourd and handed it to
Makeza, who immediately commenced to shake it. It was full of seeds of
some kind and made a loud rattle. L'Tunga produced a similar gourd and
also started to shake it.
This rattling was really the beginning of the ceremony. After a short
time L'Tunga commenced blowing on a whistle, which gave a loud shrill
sound. It was a horn of a small deer set in the end of an ox-tail
which was wrapped with broad bands of red, black, and white beads. The
whistle was to call the spirits and we noted that the people seemed to
get much excited when they heard it. After a few moments L'Tunga began
to vary the whistling with a sort of chant in a minor key. The sound
of his voice struck terror into the audience, and I could see that
they were terribly afraid. Makeza showed his fear by rattling his
gourd with what almost amounted to frenzy.
The whistling, rattling, and chanting went on and on, all the time
rising in a crescendo. The excitement of the crowd became more and
more intense, until it seemed to me that something must happen soon.
L'Tunga appeared to be quite mad, and Makeza shook his gourd as though
his life depended on the noise he made.
At the exact moment when the situation became unbearable, and when I
felt as though I would go mad also, L'Tunga stopped his noise. A
second later there was silence, broken only by the deep breaths of the
audience. The sudden silence came with such a shock that it quite
unnerved one.
Presently L'Tunga raised his empty hands above his head and slowly
brought them down over his "uhamba," which lay on the ground in front
of him. He held his position for a moment, Makeza's eyes riveted on
him. Then L'Tunga slowly waved his hands back and forth, and I could
see Makeza following their every movement.
This must have lasted for a few moments only, but it seemed an age.
Suddenly the hands stopped, remained still for the space of a breath,
and then swooped down on the "uhamba." With one motion L'Tunga picked
up the charm-case and shook it above his head. Three shakes, and he
held it motionless!
Slowly, very slowly, he brought it down and laid it on the ground.
Makeza watched, his eyes bright and big with dread. L'Tunga looked at
him fixedly for a brief space, and then slowly lifted the top of the
"uhamba" and glanced into it.
Public-domain text, read in full here on John Shaqi.
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