Adventures in the Arts: Informal Chapters on Painters, Vaudeville, and PoetsHartley, Marsden
History
Adventures in the Arts: Informal Chapters on Painters, Vaudeville, and Poets
Hartley, Marsden
Art; Literature, Modern -- History and criticism; Vaudeville
These people do not write their history, they simply make it among
themselves, and it is handed down through the generations. When I
asked May Wirth for information, she said she knew of none on the
subject, save that she herself sprang from five generations of
acrobats and equestrians, and that it is terrifically hard labour from
beginning to end, equestrianism in particular, since it requires a
knowledge of several if not all the other physical arts combined, such
as high wire walking, handspring and somersault, trapeze work, bars,
ballet dancing, etc.; that she herself had begun as a child, and had
run the entire gamut of these requirements, coming out the finished
product, so to speak, in all but ballet dancing, which she disliked,
and wept always when the time came for her lesson in this department.
When one sees the incomparable brilliancy of this little woman of the
horse, watching her marvellous ground work, which is in itself an
example of virtuosity, one realizes what accomplishment alone can do,
for she is not yet twenty-five, and the art is already in the
condition of genius with her. Five handsome side-wheels round the
ring, and a flying jump on the horse, then several complete
somersaults on the horse's back while he is in movement round the
ring, is not to be slighted for consideration, and if, as I have said,
you have a love or even a fancy for this sort of entertainment, you
all but worship the little lady for the thrill she gives you through
this consummate mastery of hers.
"I always wanted to do what the boys could do, and I was never
satisfied until I had accomplished it." This was the strongest
assertion the little lady of the horse was moved to make while in
conversation, and that the ring is more beautiful to work in than on a
mat upon a stage, for it is in the ring that the horse is most at
home, it is easier for him, and gives him greater muscular freedom,
with the result naturally, that it is easier on the muscles of the
human body while in action. I have never tired of this species of
entertainment. It has always impressed me as being the most natural
form of transposed physical culture, esthetically speaking. It does
for the eye, if you are sensitive, what music does for the ear. It
gives the body a chance to show its exquisite rhythmic beauty, as no
other form of athletics can, for it is the beautiful plastic of the
body, harmonically arranged for personal delight.
Public-domain text, read in full here on John Shaqi.
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