"’Tis Francesca d’Alfieri!" exclaimed the Visconte, with rapture. "She does penance alone in the chapel to-night; each sister does so in turn. I have enlisted the zitella of the convent in the service of love, and have no doubt of success." While speaking, he threw a handful of sand against a lattice, which opened, and a young female face appeared; a rose was thrown to him, and he clapped his hands twice: these were the private signals agreed upon. At that moment, I was certain I heard a growling chuckle close by us; but, without taking notice of it, I listened attentively for any sounds that might follow. "Is all safe and quiet, Signora Pia?" asked Santugo. "All, monsignore; but for sister Francesca’s sake and our own, be cautious," replied the girl, with a trembling voice. She then unrolled a ladder of rope from the window, to the inside of which she assured us it was firmly fastened. In imitation of Santugo, I folded my cloak round the left arm, and mounting after him, scrambled to the summit of the wall, then leaping down we found ourselves standing in the garden, where our feet made terrible havoc among the abbess’s flower-beds and glass-covered seeds. "Che gioja!" said Santugo; "all is safe! a twenty-oared scampavia awaits us beneath the shadow of the convent wall: Giacomo has manned it with thirty of the most unscrupulous in the ranks of the Free Corps. But two grand points are yet to be gained; the postern must be unbarred, and the cord of the alarm bell cut; after which, we may proceed leisurely, and laugh at the rage of the Abbadessa." He walked quickly towards the chapel, and I followed, feeling somewhat piqued at the cautious manner in which he revealed to me his plans. The zitella (or girl of the convent) led us into the chapel, every part of which was involved in deep gloom, except a little shrine, where, beneath a gothic canopy of white marble, stood a silver image of Saint Hugh. Two tapers glimmering before it served to reveal the figure of the fair devotee, as she knelt with clasped hands before the gilded rail which enclosed the object of her devotions—the shrine of the patron saint of her family. The beauty of the little edifice, and the richness of its shrines,—its columns with shafts of porphyry and capitals of marble,—its roof of gilded fresco, and floor of the most elaborate mosaic,—its alabaster tombs and gorgeous altar were all unheeded. We stole softly up a side aisle, and concealed ourselves behind the dark shadow of a monument, where I had leisure to observe Francesca and compliment Santugo on his admirable taste.