On being ushered up a spacious staircase of white marble, the stained
glass windows of which were faintly lighted by the lingering flush of
the departed sun, we found ourselves in an ancient hall, decorated in a
quaint style of architecture, neither Norman nor Saracenic, but a
mixture of both; and a relic perhaps of the days of those invaders.
Lighted by four large windows which overlooked the vale and forest, now
dimly illumined by the rising moon, its roof was arched with stone
profusely carved, and supported by twelve antique figures, or
caryatides, which supplied the place of pillars: they were sculptured
out of the sonorous marble of Campanini, which when struck is said to
resound like a bell; and their time-worn mutilated forms glimmered like
pale spectres amid the gloom of evening and the shadows of the darkening
hall. By the light of the stars and the moon’s wan crescent, we could
discern sylvan trophies, sombre paintings from which grim faces of old
Italian knights and older saints looked forth, and numerous weapons of
various dates which adorned the lofty walls.
"’T is long since I stood in such a noble old hall as this," said Marco,
casting himself languidly into a gilt fauteuil. "General Regnier,
applying the forcible argument of gunpowder, has done more, perhaps,
than the march of civilization, towards destroying the feudal system;
and the ancient strongholds and palazzi of our noblesse are now somewhat
scarce even in the lower province. We must be on our guard with this
signor of Belcastro," he added in a whisper. "I have often heard of him
at Palermo, as being a sullen, subtle, and ferocious man,—a ruined
gamester and half desperado—cunning as a lynx, and treacherous as Cesare
Borgia. Heaven help the unhappy woman whom fate has tied to him! But,
ha! what have we here?" he exclaimed aloud, snatching from a marble slab
the long envelope of some official communication, which just then caught
his eye, "See you this, Signor Claude? Our villain host has been in
correspondence with the enemy."
It was addressed to the "Cavaliere Galdino di Belcastro," and endorsed
in the corner "_Regnier, General de Division_."
"Now, I would give a thousand ducats to know what this contained!" said
my companion, as he thrust it into his long glove. "’T is sealed with
the crest of the iron crown, and—but Basta! here he comes."
As he spoke, there entered the hall a tall man of powerful frame and
most forbidding aspect, attired in the full dress of the old school: his
hair powdered and tied with a white riband, his shirt ruffled at the
wrists and bosom, a wide skirted coat and black satin knee breeches with
buckles. The courtly air which this costume usually imparts to the
wearer, rather heightened than diminished the repulsive manner of this
tyrannical feudatory.
Public-domain text, read in full here on John Shaqi.
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