Although La Torre made a constant companion of the dissolute Stefano,
and dissipated his patrimony in gay entertainments, he had more prudence
than to invite him to his palace. His unhappy countess mourned in
loneliness the sad change in the manners of her husband; who, led astray
from the path of honour, spent whole days at the gaming house, and
nights at the café or the cantina. He associated also with other
reckless spirits, to whom Strazoldi introduced him, in visiting those
thrifty mothers who had rising families of daughters, and who were
anxious to procure them dowries according to the infamous custom of that
abandoned city. In short, Count Giulio was no longer the same man he
had been, and days passed without his crossing the threshold of his
wife’s apartment. Poor Diomida! this terrible change sank deeply in her
heart. When during the day her husband at times visited the palace, it
was only to extort money from his terrified steward; who warned him in
vain that the splendid revenue of his estates was miserably impaired.
But palled with excesses, jaded in spirit, and morose with losses, such
answers only chafed the count into a tempest of rage; and the steward
was glad to raise the gold, by having recourse to Isaac the famous
Jew-broker on the Rialto.
Seldom now did he look on the pale face of his once loved Diomida, whose
silent sorrow—she was too gentle to upbraid—passed unheeded. Her grief
was increased to agony when she learned that in the society of her
dangerous rival Lucretia, the count now spent the most of his time: the
passers-by shrugged their shoulders when they beheld the vast façade of
the palazzo della Torre so silent, gloomy, and dark—having the air of a
deserted mansion—while the gorgeous palazzi of the Strazoldi, the
Cornaro, the Balbi, and other nobles, were blazing with light, and
brilliant with festive assemblies.
One evening, full of sad thoughts, Diomida sat in her boudoir alone:
alas! she was now seldom otherwise. Her cheek was pale; the slight
roseate tinge that once suffused it had fled, and the lustre of her eye
had faded. Long weeping and pining in secret were destroying that fresh
bloom, which rendered her the most admired of all Venetian beauties, and
the pride of the venerable Doge, her uncle. Her books, embroidery, and
guitar were all neglected; and she sat moodily in her dimly lighted
room, watching in despairing anxiety for the tread of her husband (whom
for four days she had not seen), and weeping for the past joys of their
early marriage days.
Public-domain text, read in full here on John Shaqi.
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