A thousand lights burned in the villa of Casteluccio, tinting with a
ruddy glow the sea and the rocks of Campo di Mare, around which the
waves rolled sparkling like diamonds. Hangings of satin fringed with
gold; festoons of fragrant flowers, gilded statues, and vases of
alabaster; ceilings of fresco, columns of marble, floors of mosaic, and
pyramids of particoloured lamps, had turned my villa into a fairy
palace. Every hall and chamber was gleaming with light, and crowded
with beauty and gaiety; while the band of the Italian Guards played
divinely in the saloon. The soft music floated along the echoing roofs,
and all were joyous and happy. It was our marriage night. The fête was
superb: six weeks before, the invitations had been issued, and all of
any note in the province were invited. The fountains flowed with wine;
and the pillared hall was crowded with dancers, who whirled in the airy
waltz, or threaded the graceful quadrille. Nor did less joy reign
without; where, on the green lawn, lighted less by the summer moon than
by the countless variegated lamps which covered the walls of the villa
and the trees around it, the young paesani danced the gay tarantella to
the tabor and guitar.
I was waltzing with the Duchess of Bagnara, one of the most famed of our
Neapolitan beauties; but I saw only my Laura, who, attired in her white
bridal robe, shone among our loveliest women like a planet amongst the
stars. How shall I describe her? Oh, for the power of Petrarch, and
the same glowing words with which he described _the_ Laura of Avignon!
Not less beautiful was mine, as she shone in all her blushing
loveliness; her bright hair waving around her, and her blue eyes
sparkling with happiness and love. The duchess, a stately woman, with
diamonds gleaming among her raven locks, was managing her train with
inimitable grace, and rallying me severely on my want of gallantry and
inattention to her, when the report of a pistol was heard, and shrieks
of women followed. The dance stopped, the ladies turned pale, eyes met
in wonder, the music died away, and all listened in surprise; which soon
gave place to terror.
Headed by a tall and powerful ruffian, in whom, notwithstanding his
Eastern garb, I recognised Father Petronio, a band of armed Algerines
rushed among the dancers with pistol, pike, and scymitar. Defenceless as
I was, I sprang to the side of Laura; my brave friend, the young
Santugo, interposed with his drawn sword: but he was struck to the earth
by Petronio’s pistol, the ball of which wounded the fair duchess who
stood near him.
"Miscreant monk!" I exclaimed; but was beaten down, senseless: the last
I remember was beholding Laura struggling in the arms of the piratical
priest.
Public-domain text, read in full here on John Shaqi.
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