_Mr. Catlin's Gallery of North American Indians._--Of all the exhibitions that have been brought forward for the amusement of the public, we must give this of Mr. Catlin the preference in every point of view; it possesses not only present but future interest, for perhaps not many generations may flourish and fade before nearly the whole of the aboriginal tribes will be wholly extirpated. Wherever the imprint of the white man's foot has flattened the grass of the prairie, it may be looked upon as an ominous token to the unsuspecting native. The broad lands of the owners of the soil are daily passing into the hands of the stranger, and desolation comes where lowly comfort dwelt. As historical records, these pictures, from the faithful pencil of Mr. Catlin, are invaluable, inasmuch as they may be considered, in all probability, the last and almost the only authentic remains of ancient tribes, that are slowly but surely leaving nothing but a name behind. ----*---- THE TIMES. _Mr. Catlin's North American Indian Gallery._--A very curious exhibition is opened in the Egyptian Hall, Piccadilly. It consists of above 500 portraits, landscapes, views of combats, religious ceremonies, costumes, and many other things illustrative of the manners and customs, and modes of living and of battle, &c. of the different tribes of North American Indians. Some of these pictures are exceedingly interesting, and form a vast field for the researches of the antiquary, the naturalist, and the philosopher. The numerous portraits are full of character; they exhibit an almost endless variety of feature, though all bearing a generical resemblance to each other. The views of combats are very full of spirit, and exhibit modes of warfare and destruction horribly illustrative of savage life. The method of attacking buffaloes and other monsters of the plains and forests are all interesting; the puny process of a fox-chace sinks into insignificance when compared with the tremendous excitement occasioned by the grappling of a bear or the butting of a bison. These scenes are all accurately depicted, not in the finished style of modern art, but with a vigour and fidelity of outline, which arises from the painter having actually beheld what he transmits to canvas. The most curious portion of this exhibition is, however, the representations of the horrible religious ceremonies of several of the Indian tribes, and the probationary trials of those who aspire to be the leaders amongst them. These representations disclose the most abhorrent and execrable cruelties. They show to what atrocities human nature can arrive where the presence of religious knowledge is not interposed to prevent its career. The exhibition also contains tents, weapons, dresses, &c. of the various tribes visited by Mr. Catlin. These are curious, but of secondary importance. The catalogue, which is to be had at the