instance, by officers of the United States, who were present at the time. But sketches are not all that this unique collection consists of. There is a large number of the dresses of the chiefs and women, rich and curious to a very great degree, implements of war and of social life--articles by which friendship is promoted and leisure is amused. ----*---- PHILADELPHIA HERALD AND SENTINEL. _Catlin's Indian Gallery_ is one of the most curious and interesting collections ever brought before the public. The portraits of the chiefs and warriors constitute perhaps the least striking portion of the gallery; although the natural freedom and boldness of the attitudes, and the life-like variety and expression of the countenances, caught with a rare felicity by the accomplished artist, render them immeasurably superior in attraction and value to anything of that kind ever before presented to the community. They were all sketched on the spots of their residence, and in the characteristic attire of their tribes; and the certificates of different United States officers, attached to the back of each picture, testify to the accuracy and completeness of each individual portraiture. The largest and by far the most engaging and peculiar part of the collection, consists of sketches of groups occupied in the various games, sports, and diversions, by which the monotony of savage life is amused. Mr. Catlin visited forty-eight different tribes, and was domesticated amongst them for eight years; and whenever any spectacle of merriment, or business, or religion was got up, the painter drew apart from the company, and producing the canvas which was always in readiness, seized with an Hogarthian quickness and spirit the outlines and the impression of the scene before him, and has perpetuated for the gratification of posterity the faithful and vivid likenesses of some of the most extraordinary acts and incidents which the history of man can exhibit. Sketched with a distinctness and a particularity which indicate an uncommon degree of talent and skill on the part of the artist, we find among these paintings almost everything that is characteristic in the life and conduct of the Indian: the energetic dance, marked by a science and a significance, unknown to the amusements of more cultivated nations,--the hunt of the buffalo, with its impressive incidents of danger and daring--the religious rite--the military council--the game--the fight--the voluntary torture by which the "Stoic of the woods" displays his hardihood of nerve and spirit--and the grotesque gaiety which marks the occasional mirthfulness of a nature usually so much restrained. All these are brought before us with a fidelity of delineation attested by the certificates of the most competent and reputable witnesses, and animation and interest acknowledged by all who have approached them.