Adventures of the Ojibbeway and Ioway Indians in England, France, and Belgium; Vol. 2 (of 2): being Notes of Eight Years' Travels and Residence in Europe with his North American Indian CollectionCatlin, George
History
Adventures of the Ojibbeway and Ioway Indians in England, France, and Belgium; Vol. 2 (of 2): being Notes of Eight Years' Travels and Residence in Europe with his North American Indian Collection
Catlin, George
England -- Description and travel; France -- Description and travel; Indians of North America
"My Friends,--I have no more to say at present, only, that, when my
young men have finished their dances, we shall be glad to shake hands
with you all, if you desire it." ("_How, how, how!_")
The old man resumed his seat and his pipe amidst a din of applause; and
at this moment several trinkets and pieces of money were tossed upon
the platform from various parts of the room.
After the eagle-dance they strung their bows, and, slinging their
quivers upon their backs, commenced shooting at the target for prizes.
The hall in which their dances were given was so immensely large that
they had a range of 150 feet to throw their arrows at their targets,
which formed by no means the least amusing and exciting part of their
exhibitions. Their ball-sticks were also taken in hand, and the ball,
and their mode of catching and throwing it, beautifully illustrated.
After this, and another dance, a general shake of the hands took place,
and a promenade of the Indians through the vast space occupied by my
collection. They retired from the rooms and the crowd in fine glee,
having made their _début_ in Paris, about which they had had great
anxiety, somebody having told them that the French people would not be
pleased with their dancing, as they danced so well themselves.
The Indians being gone, _I_ became the lion, and was asked for in every
part of the rooms. The visitors were now examining my numerous works,
and all wanted to see me. My friend M. Vattemare was by my side, and
kindly presented me to many gentlemen of the press, and others of his
acquaintance, in the rooms. There were so many who said they were
waiting "for the honour," &c., that I was kept until a very late hour
before I could leave the room.
There were a number of fellow-artists present, who took pleasure in
complimenting me for the manner in which my paintings were executed;
and many others for my perseverance and philanthropy in having
laboured thus to preserve the memorials of these dying people. I was
complimented on all sides, and bowed, and was bowed to, and invited
by cards and addresses left for me. So _I_ went home, as well as the
Indians, elated with the pleasing conviction that _mine_ was a "hit,"
as well as _theirs_.
The leading journals of the next day were liberal in their comments
upon the Indians and my collection, pronouncing my labours of great
interest and value, and the exhibition altogether one of the most
extraordinary interest ever opened in Paris, and advising all the world
to see it.[39] Thus were we started in the way of business after the
first night's exhibition, and that after remaining there just one month
before we could meet and pass all the necessary forms and get quite
ready.
[39] See critical notices of the French Press, Appendix to vol. i.
p. 239.
CHAPTER XXVI.
Public-domain text, read in full here on John Shaqi.
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