AE in the Irish TheosophistRussell, George William
Religion
AE in the Irish Theosophist
Russell, George William
Theosophy
Sad or fain no more to live?
I have pressed the lips of pain:
With the kisses lovers give
Ransomed ancient powers again.
I would raise this shrinking soul to a more universal acceptance.
What! does it aspire to the All, and yet deny by its revolt and
inner protest the justice of Law. From sorrow we shall take no
less and no more than from our joys. For if the one reveals to
the soul the mode by which the power overflows and fills it here,
the other indicates to it the unalterable will which checks excess
and leads it on to true proportion and its own ancestral ideal.
Yet men seem for ever to fly from their destiny of inevitable beauty;
because of delay the power invites and lures no longer but goes out
into the highways with a hand of iron. We look back cheerfully
enough upon those old trials out of which we have passed; but we
have gleaned only an aftermath of wisdom and missed the full harvest
if the will has not risen royally at the moment in unison with the
will of the Immortal, even though it comes rolled round with terror
and suffering and strikes at the heart of clay.
Through all these things, in doubt, despair, poverty, sick feeble
or baffled, we have yet to learn reliance. "I will not leave thee
or forsake thee," are the words of the most ancient spirit to the
spark wandering in the immensity of its own being. This high
courage brings with it a vision. It sees the true intent in all
circumstance out of which its own emerges to meet it. Before it
the blackness melts into forms of beauty, and back of all illusions
is seen the old enchanter tenderly smiling, the dark, hidden Father
enveloping his children.
All things have their compensations. For what is absent here there
is always, if we seek, a nobler presence about us.
Captive, see what stars give light
In the hidden heart of clay:
At their radiance dark and bright
Fades the dreamy King of Day.
Public-domain text, read in full here on John Shaqi.
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