Aesthetic as Science of Expression and General LinguisticCroce, Benedetto
Philosophy
Aesthetic as Science of Expression and General Linguistic
Croce, Benedetto
Aesthetics; Language and languages -- Philosophy; Philosophy
[Sidenote] _Aesthetic judgment. Its identity with aesthetic
reproduction._
When the entire aesthetic and externalizing process has been completed,
when a beautiful expression has been produced and fixed in a definite
physical material, what is meant by _judging it_? _To reproduce it in
oneself_, answer the critics of art, almost with one voice. Very good.
Let us try thoroughly to understand this fact, and with that object in
view, let us represent it schematically.
The individual A is seeking the expression of an impression, which he
feels or has a presentiment of, but has not yet expressed. Behold him
trying various words and phrases, which may give the sought-for
expression, which must exist, but which he does not know. He tries the
combination _m_, but rejects it as unsuitable, inexpressive, incomplete,
ugly: he tries the combination _n_, with a like result. _He does not see
anything, or he does not see clearly_. The expression still flies from
him. After other vain attempts, during which he sometimes approaches,
sometimes leaves the sign that offers itself, all of a sudden (almost as
though formed spontaneously of itself) he creates the sought-for
expression, and _lux facta est_. He enjoys for an instant aesthetic
pleasure or the pleasure of the beautiful. The ugly, with its
correlative displeasure, was the aesthetic activity, which had not
succeeded in conquering the obstacle; the beautiful is the expressive
activity, which now displays itself triumphant.
We have taken this example from the domain of speech, as being nearer
and more accessible, and because we all talk, though we do not all draw
or paint. Now if another individual, whom we shall term B, desire to
judge this expression and decide whether it be beautiful or ugly, he
_must of necessity place himself at A's point of view_, and go through
the whole process again, with the help of the physical sign, supplied to
him by A. If A has seen clearly, then B (who has placed himself at A's
point of view) will also see clearly and will find this expression
beautiful. If A has not seen clearly, then B also will not see clearly,
and will find the expression more or less ugly, _just as A did_.
[Sidenote] _Impossibility of divergences._
It may be observed that we have not taken into consideration two other
cases: that of A having a clear and B an obscure vision; and that of A
having an obscure and B a clear vision. Philosophically speaking, these
two cases are _impossible_.
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