Aesthetic as Science of Expression and General LinguisticCroce, Benedetto
Philosophy
Aesthetic as Science of Expression and General Linguistic
Croce, Benedetto
Aesthetics; Language and languages -- Philosophy; Philosophy
We will content ourselves with this definition of the two terms, without
entering into the problem of the relation between value and disvalue,
that is, between the problem of contraries. (Are these to be thought of
dualistically, as two beings or two orders of beings, like Ormuzd and
Ahriman, angels and devils, enemies to one another; or as a unity, which
is also contrariety?) This definition of the two terms will be
sufficient for our purpose, which is to make clear aesthetic activity in
particular, and one of the most obscure and disputed concepts of
Aesthetic which arises at this point: the concept of the _Beautiful_.
[Sidenote] _The Beautiful as the value of expression, or expression
and nothing more._
Aesthetic, intellectual, economic, and ethical values and disvalues are
variously denominated in current speech: _beautiful, true, good, useful,
just_, and so on--these words designate the free development of
spiritual activity, action, scientific research, artistic production,
when they are successful; _ugly, false, bad, useless, unbecoming,
unjust, inexact_ designate embarrassed activity, the product of which is
a failure. In linguistic usage, these denominations are being
continually shifted from one order of facts to another, and from this to
that. _Beautiful_, for instance, is said not only of a successful
expression, but also of a scientific truth, of an action successfully
achieved, and of a moral action: thus we talk of an _intellectual
beauty_, of a _beautiful action_, of a _moral beauty_. Many
philosophers, especially aestheticians, have lost their heads in their
pursuit of these most varied uses: they have entered an inextricable and
impervious verbal labyrinth. For this reason it has hitherto seemed
convenient studiously to avoid the use of the word beautiful to indicate
successful expression. But after all the explanations that have been
given, and all danger of misunderstanding being now dissipated, and
since, on the other hand, we cannot fail to recognize that the
prevailing tendency, alike in current speech and in philosophy, is to
limit the meaning of the vocable _beautiful_ altogether to the aesthetic
value, we may define beauty as _successful expression_, or better, as
_expression_ and nothing more, because expression, when it is not
successful, is not expression.
[Sidenote] _The ugly, and the elements of beauty which compose it._
Public-domain text, read in full here on John Shaqi.
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