Aesthetical and philosophical essays : $b introducing the dissertation on the "connection between the animal and spiritual man"Schiller, Friedrich
Philosophy
Aesthetical and philosophical essays : $b introducing the dissertation on the "connection between the animal and spiritual man"
Schiller, Friedrich
Aesthetics; Philosophy
If we were only sensuous creatures, obeying no other instinct than that
of self-preservation, we should stop here, and we should remain in a
state of mere and pure affection. But there is something in us which
takes no part in the affections of sensuous nature, and whose activity
is not directed according to physical conditions. According, then, as
this independently acting principle (the disposition, the moral faculty)
has become to a degree developed in the soul, there is left more or less
space for passive nature, and there remains more or less of the
independent principle in the affection.
In the truly moral soul the terrible trial (of the imagination) passes
quickly and readily into the sublime. In proportion as imagination loses
its liberty, reason makes its own prevail, and the soul ceases not to
enlarge within when it thus finds _outward_ limits. Driven from all the
intrenchments which would give physical protection to sensuous
creatures, we seek refuge in the stronghold of our moral liberty, and we
arrive by that means at an absolute and unlimited safety, at the very
moment when we seem to be deprived in the world of phenomena of a
relative and precarious rampart. But precisely because it was necessary
to have arrived at the physical oppression before having recourse to the
assistance of our moral nature, we can only buy this high sentiment of
our liberty through suffering. An ordinary soul confines itself entirely
to this suffering, and never comprehends in the sublime or the pathetic
anything beyond the terrible. An independent soul, on the contrary,
precisely seizes this occasion to rise to the feeling of his moral
force, in all that is most magnificent in this force, and from every
terrible object knows how to draw out the sublime.
Public-domain text, read in full here on John Shaqi.
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