Aesthetical and philosophical essays : $b introducing the dissertation on the "connection between the animal and spiritual man"Schiller, Friedrich
Philosophy
Aesthetical and philosophical essays : $b introducing the dissertation on the "connection between the animal and spiritual man"
Schiller, Friedrich
Aesthetics; Philosophy
Although grace ought to be, or at least ought to appear, something
involuntary, still we seek it only in the movements that depend more or
less on the will. I know also that grace is attributed to a certain
mimic language, and we say a pleasing smile, a charming blush, though
the smile and the blush are sympathetic movements, not determined by the
will, but by moral sensibility. But besides that, the first of these
movements is, after all, in our power, and that it is not shown that in
the second there is, properly speaking, any grace, it is right to say,
in general, that most frequently when grace appears it is on the
occasion of a voluntary movement. Grace is desired both in language and
in song; it is asked for in the play of the eyes and of the mouth, in
the movements of the hands and the arms whenever these movements are
free and voluntary; it is required in the walk, in the bearing, and
attitude, in a word, in all exterior demonstrations of man, so far as
they depend on his will. As to the movements which the instinct of
nature produces in us, or which an overpowering affection excites, or,
so to speak, is lord over; that which we ask of these movements, in
origin purely physical, is, as we shall see presently, quite another
thing than grace. These kinds of movements belong to _nature_, and not
to the _person_; but it is from the person alone, as we have seen, that
all grace issues.
If, then, grace is a property that we demand only from voluntary
movements, and if, on the other hand, all voluntary element should be
rigorously excluded from grace, we have no longer to seek it but in that
portion of the intentional movements to which the intention of the
subject is unknown, but which, however, does not cease to answer in the
soul to a moral cause.
We now know in what kind of movements he must ask for grace; but we know
nothing more, and a movement can have these different characters,
without on that account being graceful; it is as yet only speaking (or
mimic).
I call _speaking_ (in the widest sense of the word) every physical
phenomenon which accompanies and expresses a certain state of the soul;
thus, in this acceptation, all the sympathetic movements are speaking,
including those which accompany the simple affections of the animal
sensibility.
Public-domain text, read in full here on John Shaqi.
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