Aesthetical and philosophical essays : $b introducing the dissertation on the "connection between the animal and spiritual man"Schiller, Friedrich
Philosophy
Aesthetical and philosophical essays : $b introducing the dissertation on the "connection between the animal and spiritual man"
Schiller, Friedrich
Aesthetics; Philosophy
If, then, the will is sufficiently independent to repress the
aggressions of instinct and to maintain its rights against this blind
force, all the phenomena which the instinct of nature, once excited,
produce, in its proper domain, will preserve, it is true, their force;
but those of the second kind, those which came out of a foreign
jurisdiction, and which it pretended to subject arbitrarily to its
power, these phenomena would not take place. Thus the phenomena are no
longer in harmony; but it is precisely in their opposition that consists
the expression of the moral force. Suppose that we see a man a prey to
the most poignant affection, manifested by movements of the first kind,
by quite involuntary movements. His veins swell, his muscles contract
convulsively, his voice is stifled, his chest is raised and projects,
whilst the lower portion of the torso is sunken and compressed; but at
the same time the voluntary movements are soft, the features of the face
free, and serenity beams forth from the brow and in the look. If man
were only a physical being, all his traits, being determined only by one
and the same principle, would be in unison one with the other, and would
have a similar expression. Here, for example, they would unite in
expressing exclusively suffering; but as those traits which express
calmness are mixed up with those which express suffering, and as similar
causes do not produce opposite effects, we must recognize in this
contrast the presence and the action of a moral force, independent of
the passive affections, and superior to the impressions beneath which we
see sensuous nature give way. And this is why calmness under suffering,
in which properly consists dignity, becomes—indirectly, it is true, and
by means of reasoning—a representation of the pure intelligence which is
in man, and an expression of his moral liberty. But it is not only under
suffering, in the restricted sense of the word, in the sense in which it
marks only the painful affections, but generally in all the cases in
which the appetitive faculty is strongly interested, that mind ought to
show its liberty, and that dignity ought to be the dominant expression.
Dignity is not less required in the agreeable affections than in the
painful affections, because in both cases nature would willingly play
the part of master, and has to be held in check by the will. Dignity
relates to the form and not to the nature of the affection, and this is
why it can be possible that often an affection, praiseworthy in the
main, but one to which we blindly commit ourselves, degenerates, from
the want of dignity, into vulgarity and baseness; and, on the contrary,
a condemnable affection, as soon as it testifies by its form to the
empire of the mind over the senses, changes often its character and
approaches even towards the sublime.
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