Aesthetical and philosophical essays : $b introducing the dissertation on the "connection between the animal and spiritual man"Schiller, Friedrich
Philosophy
Aesthetical and philosophical essays : $b introducing the dissertation on the "connection between the animal and spiritual man"
Schiller, Friedrich
Aesthetics; Philosophy
The purely scientific statement may incline either to popular discourse
or to philosophic language, and according to this bias it places us more
or less in possession of some branch of knowledge. All that popular
elocution does is to lend us this knowledge for a momentary pleasure or
enjoyment. The first, if I may be allowed the comparison, gives us a
tree with its roots, though with the condition that we wait patiently
for it to blossom and bear fruit. The other, or fine diction, is
satisfied with gathering its flowers and fruits, but the tree that bore
them does not become our property, and when once the flowers are faded
and the fruit is consumed our riches depart. It would therefore be
equally unreasonable to give only the flower and fruit to a man who
wishes the whole tree to be transplanted into his garden, and to offer
the whole tree with its fruit in the germ to a man who only looks for
the ripe fruit. The application of the comparison is self-evident, and I
now only remark that a fine ornate style is as little suited to the
professor’s chair as the scholastic style to a drawing-room, the pulpit,
or the bar.
The student accumulates in view of an ulterior end and for a future use;
accordingly the professor ought to endeavor to transmit the _full and
entire property_ of the knowledge that he communicates to him. Now,
nothing belongs to us as our own but what has been communicated to the
understanding. The orator, on the other hand, has in view an immediate
end, and his voice must correspond with an immediate want of the public.
His interest is to make his knowledge _practically available_ as soon as
possible; and the surest way is to hand it over to the senses, and to
prepare it for the use of _sensation_. The professor, who only admits
hearers on certain conditions, and who is entitled to suppose in his
hearers the dispositions of mind in which a man ought to be to receive
the truth, has only in view in his lecture the _object_ of which he is
treating; while the orator, who cannot make any conditions with his
audience, and who needs above everything sympathy, to secure it on his
side, must regulate his action and treatment according to the _subjects_
on which he turns his discourse. The hearers of the professor have
already attended his lectures, and will attend them again; they only
want fragments that will form a whole after having been linked to the
preceding lectures. The audience of the orator is continually renewed;
it comes unprepared, and perhaps will not return; accordingly in every
address the orator must _finish_ what he wishes to do; each of his
harangues must form a whole and contain expressly and entirely his
conclusion.
Public-domain text, read in full here on John Shaqi.
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