itself in reality itself, the part of the _poet_ is necessarily to imitate the real as completely as is possible. In the state of civilization, on the contrary, when this harmonious competition of the whole of human nature is no longer anything but an idea, the part of the poet is necessarily to raise reality to the ideal, or, what amounts to the same thing, _to represent the ideal_. And, actually, these are the only two ways in which, in general, the poetic genius can manifest itself. Their great difference is quite evident, but though there be great opposition between them, a higher idea exists that embraces both, and there is no cause to be astonished if this idea coincides with the very idea of humanity. This is not the place to pursue this thought any further, as it would require a separate discussion to place it in its full light. But if we only compare the modern and ancient poets together, not according to the accidental forms which they may have employed, but according to their spirit, we shall be easily convinced of the truth of this thought. The thing that touches us in the ancient poets is nature; it is the truth of sense, it is a present and a living reality: modern poets touch us through the medium of ideas. The path followed by modern poets is moreover that necessarily followed by man generally, individuals as well as the species. Nature reconciles man with himself; art divides and disunites him; the ideal brings him back to unity. Now, the ideal being an infinite that he never succeeds in reaching, it follows that civilized man can never become perfect in his kind, while the man of nature can become so in his. Accordingly in relation to perfection one would be infinitely below the other, if we only considered the relation in which they are both to their own kind and to their maximum. If, on the other hand, it is the kinds that are compared together, it is ascertained that the end to which man tends by civilization is infinitely superior to that which he reaches through nature. Thus one has his reward, because having for object a finite magnitude, he completely reaches this object; the merit of the other is to approach an object that is of infinite magnitude. Now, as there are only degrees, and as there is only progress in the second of these evolutions, it follows that the relative merit of the man engaged in the ways of civilization is never determinable in general, though this man, taking the individuals separately, is necessarily at a disadvantage, compared with the man in whom nature acts in all its perfection. But we know also that humanity cannot reach its final end except by _progress_, and that the man of nature cannot make progress save through culture, and consequently by passing himself through the way of civilization. Accordingly there is no occasion to ask with which of the two the advantage must remain, considering this last end.