Aesthetical and philosophical essays : $b introducing the dissertation on the "connection between the animal and spiritual man"Schiller, Friedrich
Philosophy
Aesthetical and philosophical essays : $b introducing the dissertation on the "connection between the animal and spiritual man"
Schiller, Friedrich
Aesthetics; Philosophy
However, from the fact that a work produces effects only by its
substance, it must not always be inferred that there is a want of form
in this work; this conclusion may quite as well testify to a want of
form in the observer. If his mind is too stretched or too relaxed, if it
is only accustomed to receive things either by the senses or the
intelligence, even in the most perfect combination, it will only stop to
look at the parts, and it will only see matter in the most beautiful
form. Only sensible of the coarse _elements_, he must first destroy the
æsthetic organization of a work to find enjoyment in it, and carefully
disinter the details which genius has caused to vanish, with infinite
art, in the harmony of the whole. The interest he takes in the work is
either solely moral or exclusively physical; the only thing wanting to
it is to be exactly what it ought to be—æsthetical. The readers of this
class enjoy a serious and pathetic poem as they do a sermon: a simple
and playful work, as an inebriating draught; and if on the one hand they
have so little taste as to demand _edification_ from a tragedy or from
an epos, even such as the “Messias,” on the other hand they will be
infallibly scandalized by a piece after the fashion of Anacreon and
Catullus.
LETTER XXIII.
I take up the thread of my researches, which I broke off only to apply
the principles I laid down to practical art and the appreciation of its
works.
The transition from the passivity of sensuousness to the activity of
thought and of will can be effected only by the intermediary state of
æsthetic liberty; and though in itself this state decides nothing
respecting our opinions and our sentiments, and therefore it leaves our
intellectual and moral value entirely problematical, it is, however, the
necessary condition without which we should never attain to an opinion
or a sentiment. In a word, there is no other way to make a reasonable
being out of a sensuous man than by making him first æsthetic.
But, you might object: Is this mediation absolutely indispensable? Could
not truth and duty, one or the other, in themselves and by themselves,
find access to the sensuous man? To this I reply: Not only is it
possible but it is absolutely necessary that they owe solely to
themselves their determining force, and nothing would be more
contradictory to our preceding affirmations than to appear to defend the
contrary opinion. It has been expressly proved that the beautiful
furnishes no result, either for the comprehension or for the will; that
it mingles with no operations, either of thought or of resolution; and
that it confers this double power without determining anything with
regard to the real exercise of this power. Here all foreign help
disappears, and the pure logical form, the idea, would speak immediately
to the intelligence, as the pure moral form, the law, immediately to the
will.
Public-domain text, read in full here on John Shaqi.
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