Aesthetical Essays of Friedrich SchillerSchiller, Friedrich
Philosophy
Aesthetical Essays of Friedrich Schiller
Schiller, Friedrich
Aesthetics
eyes, produces a startling effect and turns our head. But if nature has
only intended him for a dilettante, difficulties damp his impotent zeal,
and one of two things happens: either he abandons, if he is modest, that
to which he was diverted by a mistaken notion of his vocation; or, if he
has no modesty, he brings back the ideal to the narrow limits of his
faculties, for want of being able to enlarge his faculties to the vast
proportions of the ideal. Thus the true genius of the artist will be
always recognized by this sign--that when most enthusiastic for the
whole, he preserves a coolness, a patience defying all obstacles, as
regards details. Moreover, in order not to do any injury to perfection,
he would rather renounce the enjoyment given by the completion. For the
simple amateur, it is the difficulty of means that disgusts him and turns
him from his aim; his dreams would be to have no more trouble in
producing than he had in conception and intuition.
I have spoken hitherto of the dangers to which we are exposed by an
exaggerated sensuousness and susceptibility to the beautiful in the form,
and from too extensive aesthetical requirements; and I have considered
these dangers in relation to the faculty of thinking and knowing. What,
then, will be the result when these pretensions of the aesthetical taste
bear on the will? It is one thing to be stopped in your scientific
progress by too great a love of the beautiful, another to see this
inclination become a cause of degeneracy in character itself, and make us
violate the law of duty. In matters of thought the caprices of "taste"
are no doubt an evil, and they must of necessity darken the intelligence;
but these same caprices applied to the maxims of the will become really
pernicious and infallibly deprave the heart. Yet this is the dangerous
extreme to which too refined an aesthetic culture brings us directly we
abandon ourselves exclusively to the feelings for the beautiful, and
directly we raise taste to the part of absolute lawgiver over our will.
The moral destination of man requires that the will should be completely
independent of all influence of sensuous instincts, and we know that
taste labors incessantly at making the link between reason and the senses
continually closer. Now this effort has certainly as its result the
ennobling of the appetites, and to make them more conformable with the
requirements of reason; but this very point may be a serious danger for
morality.
Public-domain text, read in full here on John Shaqi.
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