Affinities, and Other StoriesRinehart, Mary Roberts
General
Affinities, and Other Stories
Rinehart, Mary Roberts
Fiction; Short stories
Now I believe in Suffrage. I own a house back home in America. Father
gave it to me so I could dress myself out of the rent. (But between
plumbers and taxes and a baby with a hammer, which ruined the paint, I
never get much. Mother has to help.) The first thing I knew, the men
voted to pave the street in front of the old thing, and I had to give up
a rose-coloured charmeuse and pass over a check. But that isn't all. The
minute the street was paved, some more men came along and raised my
taxes because the street was improved! So I paid two hundred dollars to
have my taxes raised! Just wait!
That made me strong for Suffrage. And of course there are a lot of other
things. But I'm not militant. You know as well as I do that it's coming.
The American men are just doing what father does at Christmas time. For
about a month beforehand he talks about hard times, and not seeing his
way clear and all that. And on Christmas morning he comes down stairs
awfully glum, with one hand behind him. He looks perfectly miserable,
but he's really having the time of his life. We always play up. We kiss
him and tell him never to mind; maybe he can do it next year. And we're
always awfully surprised when he brings his hand around with checks for
everybody, bigger than they'd expected.
(That's the way with Suffrage in America. The men are holding off, and
having a good time doing it. But they'll hand it over pretty soon, with
bells on. The American man always gives his womenkind what they want, if
they want it hard enough. Only he's holding off a little, so they'll
appreciate it when they get it.)
It was after the affair of the Prime Minister that I left Daphne. We
kidnapped him, you remember, only it turned out to be someone else, and
Violet Harcourt-Standish got in awfully wrong and had to go to the
Riviera. I really did not wish to kidnap him, but the thing came up at
tea at Daphne's one day, and one hates to stay out of things.
Poppy was going on a motor trip just then, and when she asked me to go
along, I agreed. I was spending a Sunday with her.
"I'm not running away, Madge," she explained. "But I'm stony broke, and
that's the truth. I'll have to get back to work."
"You can't work in the motor."
Poppy paints, and makes a lot of money--mural decorations, you know,
panels for public buildings, and all that sort of thing.
"I want sea, sea with mist over it, and rocks. And a cave----"
"Caves are damp. There are plenty of hotels."
"A cave," she said, examining her cigarette dreamily, "with the sea
coming in against a setting sun, and the spray every color in the world.
I think it's Tintagel, Madge."
Poppy is terribly pretty, and this is her story, not mine.
"That's a sweet frock," I said. "Did you hear that man to-day, when you
were speaking at the Monument? He said, 'Bless its pretty 'eart----'"
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account