The citadel is situated to the north of the city and south of it is the Top Khana. West of this is the tomb of Ahmed Shah Durani, an octagonal structure, overlaid with coloured porcelain bricks and surmounted by a gilded dome, surrounded by small minarets. It towers above all the adjacent buildings and its dome attracts attention to the city from a distance. The pavement of the tomb is carpeted and an embroidered cloak is thrown over the sarcophagus. The sepulchre itself, composed of a coarse stone from the mountains near Kandahar, is inlaid with wreaths of flowers in coloured marble. Twelve lesser tombs, which are those of the children of Ahmed Shah, are ranged near the resting-place of the father. The interior walls are painted in designs similar to those which adorn the exterior, but the execution is more regular and the colours, having been less exposed, are fresher and more brilliant. The lofty dome above the centre imparts an air of grandeur to the little temple, while its windows of stone trellis work admit a subdued and pleasant light. The tomb is engraved with passages from the Koran and a copy of the sacred volume, from which the Mullahs recite passages, is kept in the sanctuary. At the point where the streets from the Herat gate and the Shikarpur gate meet, is the Charsu, a large dome 50 yards in diameter. Here, as in other parts of the city, are public “humams” or warm baths, where a course of Asiatic massage, including bathing, peeling, kneading and drying, costs one rupee. The Afghan mode of treatment differs but little from that prevailing in India. The houses generally are built of sun-dried bricks, with flat roofs. A few only possess upper storeys. The houses of the rich are enclosed by high walls and contain three or four courts with gardens and fountains. Each of these divisions holds a single building, separated into small compartments and provided with three or four large and lofty halls. The roofs are supported upon wooden pillars, carved and painted. The various suites open upon the several halls, which are embellished with mural paintings and numerous looking-glasses. The walls of the rooms are usually furnished with panels of glittering stucco, a compound of mica and talc, decorated with patterns of flowers. Their surfaces are broken by many recesses, sometimes the refuge of very tawdry ornaments. The ceilings are formed of small pieces of wood, carved, fitted into each other and varnished. The houses of the poorer classes are represented by single rooms 20 feet by 12 feet.