I must confess at starting that the regard I have for one of his poems,
the Farmer's Boy, is not wholly a matter of literary taste or
the critical faculty; it is also, to some extent, a matter of
association,--and as the story of how this comes about is rather
curious, I will venture to give it.
In the distant days of my boyhood and early youth my chief delight
was in nature, and when I opened a book it was to find something about
nature in it, especially some expression of the feeling produced in us
by nature, which was, in my case, inseparable from seeing and hearing,
and was, to me, the most important thing in life. For who could look
on earth, water, sky, on living or growing or inanimate things, without
experiencing that mysterious uplifting gladness in him! In due time I
discovered that the thing I sought for in printed books was to be found
chiefly in poetry, that half a dozen lines charged with poetic feeling
about nature often gave me more satisfaction than a whole volume of
prose on such subjects. Unfortunately this kind of literature was not
obtainable in my early home on the then semi-wild pampas. There were a
couple of hundred volumes on the shelves--theology, history, biography,
philosophy, science, travels, essays, and some old forgotten fiction;
but no verse was there, except Shenstone, in a small, shabby, coverless
volume. This I read and re-read until I grew sick of bright Roxana
tripping o'er the green, or of gentle Delia when a tear bedews her eye
to think yon playful kid must die. To my uncultivated mind--for I had
never been at school, and lived in the open air with the birds and
beasts--this seemed intolerably artificial; for I was like a hungry
person who has nothing but kickshaws put before him, and eats because
he is hungry until he loathes a food which in its taste confounds the
appetite. Never since those distant days have I looked at a Shenstone or
even seen his name in print or heard it spoken, without a slight return
of that old sensation of nausea. If Shenstone alone had come to me, the
desire for poetry would doubtless have been outlived early in life;
but there were many passages, some very long, from the poets in various
books on the shelves, and these kept my appetite alive. There was
Brown's Philosophy, for example; and Brown loved to illustrate his point
with endless poetic quotations, the only drawback in my case being that
they were almost exclusively drawn from Akenside, who was not "rural."
But there were other books in which other poets were quoted, and of
all these the passages which invariably pleased me most were the
descriptions of rural sights and sounds.
Public-domain text, read in full here on John Shaqi.
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