Bloomfield followed his great example in dividing his poem into the four seasons, and he begins, Thomson-like, with an invitation to the Muse:-- O come, blest spirit, whatsoe'er thou art, Thou kindling warmth that hov'rest round my heart. But happily he does not attempt to imitate the lofty diction of the Seasons or Windsor Forest, the noble poem from which, I imagine, Thomson derived his sonorous style. He had a humble mind and knew his limitations, and though he adopted the artificial form of verse which prevailed down to his time he was still able to be simple and natural. "Spring" does not contain much of the best of his work, but the opening is graceful and is not without a touch of pathos in his apologetic description of himself, as Giles, the farmer's boy. Nature's sublimer scenes ne'er charmed my eyes Nor Science led me... From meaner objects far my raptures flow... Quick-springing sorrows, transient as the dew, Delight from trifles, trifles ever new. 'Twas thus with Giles; meek, fatherless, and poor, Labour his portion... His life was cheerful, constant servitude... Strange to the world, he wore a bashful look, The fields his study, Nature was his book. The farm is described, the farmer, his kind, hospitable master; the animals, the sturdy team, the cows and the small flock of fore-score ewes. Ploughing, sowing, and harrowing are described, and the result left to the powers above: Yet oft with anxious heart he looks around, And marks the first green blade that breaks the ground; In fancy sees his trembling oats uprun, His tufted barley yellow with the sun. While his master dreams of what will be, Giles has enough to do protecting the buried grain from thieving rooks and crows; one of the multifarious tasks being to collect the birds that have been shot, for although-- Their danger well the wary plunderers know And place a watch on some conspicuous bough, Yet oft the skulking gunner by surprise Will scatter death among them as they rise.