Here is a true and pretty little story, which may or may not exactly
fit the theme, but is very well worth telling. A lady of fashion,
middle-aged or thereabouts, good-looking but pale and with the marks
of care and disillusionment on her expressive face, accompanied by her
pretty sixteen-years-old daughter, one day called on an artist and asked
him to show her his studio. He was a very great artist, the greatest
portrait-painter we have ever had and he did not know who she was, but
with the sweet courtesy which distinguished him through all his long
life--he died recently at a very advanced age--he at once put his work
away and took her round his studio to show her everything he thought
would interest her. But she was restless and inattentive, and by and by
leaving the artist talking to her young daughter she began going round
by herself, moving constantly from picture to picture. Presently she
made an exclamation, and turning they saw her standing before a picture,
a portrait of a girl, staring fixedly at it. "Oh," she cried, and it was
a cry of pain, "was I once as beautiful as that?" and burst into tears.
She had found the picture she had been looking for, which she had come
to see; it had been there twenty to twenty-five years, and the story of
it was as follows.
When she was a young girl her mother took her to the great artist to
have her portrait painted, and when the work was at length finished she
and her mother went to see it. The artist put it before them and the
mother looked at it, her face expressing displeasure, and said not one
word. Nor did the artist open his lips. And at last the girl, to break
the uncomfortable silence, said, "Where shall we hang it, mother?" and
the lady replied, "Just where you like, my dear, so long as you hang it
with the face to the wall." It was an insolent, a cruel thing to say,
but the artist did not answer her bitterly; he said gently that she need
not take the portrait as it failed to please her, and that in any case
he would decline to take the money she had agreed to pay him for the
work. She thanked him coldly and went her way, and he never saw her
again. And now Time, the humbler of proud beautiful women, had given
him his revenge: the portrait, scorned and rejected when the colour and
sparkle of life was in the face, had been looked on once more by its
subject and had caused her to weep at the change in herself.
Public-domain text, read in full here on John Shaqi.
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