Diary fiction; England -- Social life and customs -- 19th century -- Fiction; Mystery fiction; Short stories, English
She came into the room with a sad and weary expression in her
eyes, which changed, however, the moment she observed the
magnificently-dressed French forewoman, into a look of astonishment,
and almost of awe. Her manner became shy and embarrassed; and after an
instant of hesitation, she turned back silently to the door.
“Stop, stop, Nanina,” said Brigida, in Italian. “Don’t be afraid of that
lady. She is our new forewoman; and she has it in her power to do all
sorts of kind things for you. Look up, and tell us what you want. You
were sixteen last birthday, Nanina, and you behave like a baby of two
years old!”
“I only came to know if there was any work for me to-day,” said the
girl, in a very sweet voice, that trembled a little as she tried to face
the fashionable French forewoman again.
“No work, child, that is easy enough for you to do,” said Brigida. “Are
you going to the studio to-day?”
Some of the color that Nanina’s cheeks wanted began to steal over them
as she answered “Yes.”
“Don’t forget my message, darling. And if Master Luca Lomi asks where I
live, answer that you are ready to deliver a letter to me; but that you
are forbidden to enter into any particulars at first about who I am, or
where I live.”
“Why am I forbidden?” inquired Nanina, innocently.
“Don’t ask questions, baby! Do as you are told. Bring me back a nice
note or message to-morrow from the studio, and I will intercede with
this lady to get you some work. You are a foolish child to want it, when
you might make more money here and at Florence, by sitting to painters
and sculptors; though what they can see to paint or model in you I never
could understand.”
“I like working at home better than going abroad to sit,” said Nanina,
looking very much abashed as she faltered out the answer, and escaping
from the room with a terrified farewell obeisance, which was an
eccentric compound of a start, a bow, and a courtesy.
“That awkward child would be pretty,” said Mademoiselle Virginie, making
rapid progress with the cutting-out of her dress, “if she knew how to
give herself a complexion, and had a presentable gown on her back. Who
is she?”
“The friend who is to get me into Master Luca Lomi’s studio,” replied
Brigida, laughing. “Rather a curious ally for me to take up with, isn’t
she?”
“Where did you meet with her?”
Public-domain text, read in full here on John Shaqi.
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