Diary fiction; England -- Social life and customs -- 19th century -- Fiction; Mystery fiction; Short stories, English
The darkness was closing in upon him, and he took up the handbell to
ring for lights. When the servant entered there was genuine sorrow in
his face, genuine anxiety in his voice, as he inquired for news from the
sick-room. The man only answered that his mistress was still asleep, and
then withdrew, after first leaving a sealed letter on the table by his
master’s side. Fabio summoned him back into the room, and asked when the
letter had arrived. He replied that it had been delivered at the palace
two days since, and that he had observed it lying unopened on a desk in
his master’s study.
Left alone again, Fabio remembered that the letter had arrived at a time
when the first dangerous symptoms of his wife’s illness had declared
themselves, and that he had thrown it aside, after observing the address
to be in a handwriting unknown to him. In his present state of suspense,
any occupation was better than sitting idle. So he took up the letter
with a sigh, broke the seal, and turned inquiringly to the name signed
at the end.
It was “NANINA.”
He started, and changed color. “A letter from her,” he whispered to
himself. “Why does it come at such a time as this?”
His face grew paler, and the letter trembled in his fingers. Those
superstitious feelings which he had ascribed to the nursery influences
of his childhood, when Father Rocco charged him with them in the studio,
seemed to be overcoming him now. He hesitated, and listened anxiously
in the direction of his wife’s room, before reading the letter. Was its
arrival ominous of good or evil? That was the thought in his heart as he
drew the lamp near to him, and looked at the first lines.
“Am I wrong in writing to you?” (the letter began abruptly). “If I am,
you have but to throw this little leaf of paper into the fire, and to
think no more of it after it is burned up and gone. I can never reproach
you for treating my letter in that way; for we are never likely to meet
again.
“Why did I go away? Only to save you from the consequences of marrying a
poor girl who was not fit to become your wife. It almost broke my
heart to leave you; for I had nothing to keep up my courage but the
remembrance that I was going away for your sake. I had to think of that,
morning and night--to think of it always, or I am afraid I should have
faltered in my resolution, and have gone back to Pisa. I longed so much
at first to see you once more, only to tell you that Nanina was not
heartless and ungrateful, and that you might pity her and think kindly
of her, though you might love her no longer.
Public-domain text, read in full here on John Shaqi.
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