It was generally held that if the required cult were not rendered them,
they would punish this neglect with wrath, but that they showed their
benevolence to those who deserved it by zeal in serving them.[142] The
dead were capable, like the living, of gratitude as well as of
resentment. The greater had been their power in this world, the more
considerable it remained in the other, and the more advantage there was
in securing their protection or even their co-operation.
Servius reports the existence of the singular belief that souls had to
swear to Pluto never to help those they had left behind them on earth to
escape from their destiny.[143] Such was, then, the extent of their
supposed power. But all the dead were not, like some of the heroes who
had become the equals of the gods, capable of performing prodigious
deeds. Many, gifted with less force, were concerned with lesser
interests; they did no more than protect their family, the domestic
hearth and the neighbouring field, and render small daily services.
“Farewell, Donata, thou who wast pious and just,” says an epitaph,
“guard all thy kin.”[144]
The idea that the ancestors become the tutelary spirits of their
descendants who were faithful to their duty to them, goes back to the
remotest antiquity and probably lies at the foundation of the cult of
the Lares.[145] But the field of action of these genii was multiple,
since they were a multitude, and their functions underwent a further
development when they were considered to be the equivalents of the
demons of the Greeks. “The souls of the dead,” Maximus of Tyre[146]
tells us, “mingle with all kinds of men, with every destiny, thought and
pursuit of man; they support the good, succour the oppressed and punish
the criminal.” Plotinus, recalling the universal custom of paying cult
to those who have gone, adds: “Many souls which belonged to men do not
cease to do good to men when they have left the body. They come to their
aid especially in granting them revelations.”[147]
Public-domain text, read in full here on John Shaqi.
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