How often and how fervently are those simple words sung out by earnest
loyal hearts from end to end of the English-speaking world. The refrain
has burst forth at Christmas gatherings, at home-comings from school,
on every festive occasion, around all true home hearths, and its echo
has been heard on plain and prairie, amid mountain peaks and forest
fastness, as wanderers have in thought turned homeward. There is
perhaps no place where the old tune and well loved words sound with
more pathos, than when the refrain is raised in a prison audience and
rolled through the chapel or around the gallery by a thousand manly
voices. Heads are bowed, eyes grow dim with tears and sometimes lips
tremble too much to frame the words. I have heard it thus and have
tried to read the faces of the men as the song called up to them
the past. Some have sung with a longing and yearning in which still
lingered the note of glad possession, while for them arose a picture
of a dear home-spot where they were still held in loving remembrance
and to which in the future they would again be welcomed. Others under
still deeper emotion have seen a vision of the home that was, the
memory of childhood's happy hours gone forever with the passing of the
mother-heart into the far-away grave. Fathers sometimes drop their
heads upon the seats before them and strong men though they are, give
way to bitter tears as they picture the little white-robed tots who
kneel up in their beds to pray that papa may some day come home, and
ask the mother over again in childish perplexity why he stays away
so long, and then drop to sleep wondering at her tears. But some of
those in the great audience know no home as a future bright spot, for
they have never known the sacred influence which should be every man's
birthright. Even in their hearts there is a longing to possess that
which they have missed, and the song awakens a strange, untranslatable
thrill that makes them feel lonely and forsaken without knowing why.
Public-domain text, read in full here on John Shaqi.
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