How strong and vivid an impression some pictures can make upon the
mind, photographed there in colors so striking or so appealing to the
soul, that all through life they come back to memory again and again as
clear and sharp in every detail as the day we first gazed upon them!
Perhaps it was the wondrous work of some master hand that stood out
for us as the one picture in a gallery of treasures. It may have been
a face that gazed at us from the shadowy corner of an old cathedral
through which the very thought and soul of the painter met our own,
and left with us the meaning that he strove to teach through form and
color. That which lives the longest may perchance be a crude picture
that hung on the nursery wall, weaving itself into our childish life,
and wearing for us a different aspect when we were good or naughty. The
firelight played mysteriously about it as we dozed off to sleep, and
then perhaps it took life and mingled with our childish dreams. If we
are lovers of nature, the brightest, most living pictures in memory's
gallery may have come to us amid the whisper of leaves and the play of
sunbeams. Some little glade where the shadows wavered on ferns and
moss, or the tiny streamlet whose pearly waters caught the sunbeams and
glittered like gems amid the lace work of the leaves. The photograph
was taken by the eye and brain long years ago, but we have seen the
picture again and again. When the earth has been hard and cold in the
icy grip of winter, as we have travelled over the thirsty desert, or
when counting the weary hours in the dark room where fever held us, it
has come back so clearly that we have almost heard the laughter of the
water and the rustle of the leaves. I wish instead of trying to paint
with words, I could use the pencil and brush of a master hand to show a
picture that made just such an impression on my mind, and that, if seen
by others, would bring to them without words the thought, the truth of
which no argument could gainsay.
Public-domain text, read in full here on John Shaqi.
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