The sick man asked for nothing better; he was burning with fever, his
head was shaking, and he could hardly see. Isidoro went off in search
of the doctor, somewhat mortified and yet, in spite of his usually hard
common sense, his intelligence, and his deeply religious nature, quite
unable to see what harm there could be in trying to cure a tarantula
sting with the rites, chants, and incantations employed by one's
forebears from the days when giants inhabited the _Nuraghes_.
The women had scattered into groups along the street and were discussing
the occurrence, some of them a little ashamed, while others were
inclined to blame the priest. One irrepressible young girl was beating
her hands in time and singing the lament which should have been chanted
in chorus around Giacobbe's bed had not the priest's arrival prevented:
"'Oh, mother of the spider!
A stroke has fallen on me.'"
Some of the women would have stopped Isidoro, but he strode quickly on,
buried in thought. At last they all dispersed, and the cold, still
evening settled down on the little widow's house, while overhead the
stars looked like golden eyes veiled in tears.
FOOTNOTES:
[7] _Ispana trista_ or _santa_, from which, according to tradition, the
crown of thorns was made. The people use the leaves of this tree for
medicinal purposes.
[8] The custom of burying a person bitten by a tarantula in a dunghill,
and putting him in an oven, is not so unreasonable as it at first
appears, the effect of the poison being neutralised if the sufferer can
be made to perspire freely; while the sickening odours of the dunghill
induce nausea, also supposed to be very beneficial. Now, however, the
people completely ignoring these practical results, the ceremony has
come to be an act of pure superstition. The account given above
describes such scenes as they have actually been known to occur.
CHAPTER XIV
The room where Giacobbe lay was extremely lofty, and so large that the
oil light did not penetrate the corners. The furniture appeared to have
been built expressly with a view to its ample proportions; a huge, red,
wooden wardrobe which stood against the end wall, reaching clear to the
ceiling. The bed, the lower part of which was draped with yellow
curtains, was as high and massive as a mountain. Seen thus, in the dim,
flickering light, with its black corners and great lofty white ceiling
like a cloudy sky, the room had a mysterious, uncanny look. Little Aunt
Anna-Rosa seemed almost in danger of losing her way as she moved about
among the bulky furniture, and her shoulders hardly reached above the
counterpane when she came and stood beside the bed where her brother lay
in the uneasy grip of the fever.
Public-domain text, read in full here on John Shaqi.
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