"Are you afraid that I will murder some one?" he asked, divining the old man's nervous terrors. "No, no; there is no need to feel alarmed now; matters are going too much to my taste just at present for me to do anything to disturb the current." The current was, however, in a fair way to be disturbed after that night on which Aunt Martina made her discovery. On the following day Costantino went, as his frequent custom now was, to Aunt Bachissia's cottage. He had no liking for the old woman who had been chiefly instrumental in bringing about Giovanna's divorce; there were even moments when the thought of strangling his ex-mother-in-law got into his blood, filling his veins with a sensation of almost voluptuous joy. But he went there, nevertheless, mainly because he took a dreary pleasure in living over the past in that little cottage where he had once been so happy. Moreover, he enjoyed listening to Aunt Bachissia's never-ending abuse of everything connected with the house of Dejas. Did the old woman know of her daughter's renewed relations with Costantino? Neither of them had said a word to her on the subject; yet, like Isidoro, she suspected how matters stood, though, unlike him, she made no effort to interfere. Costantino had made her a present of a pair of shoes, and from time to time he performed other little services for her. Had he asked her to allow him to meet Giovanna in her house, it is quite possible that she would have offered no objection; but up to the present time he had neither told nor asked her anything. On this day, however, he arrived visibly anxious and perturbed, and Aunt Bachissia, who was sitting by the door spinning, laid down her spindle and gave him a steady look out of her sharp little eyes. Night was falling, and Costantino, who had worked hard all day, was tired, sad, unhappy. The soft brilliance of the summer night, the silence of the little house, the peaceful solitude of the common, the warm, sweet breath of the evening, all combined to create a flood of homesickness for the past, and an acute sense of present misery that was well-nigh unbearable. He threw himself down on a stool and rested his elbows on his knees and his forehead on his interlocked hands. For a few moments neither of them spoke; the man was thinking of Malthineddu, of his little dead child; he seemed to see him then, playing before the door, and hot tears trembled in his eyes. "Do you know," said Aunt Bachissia suddenly, "the old colt is going crazy?" "Who?" asked Costantino. "Who? Why, the old miser, Martina Dejas. She got up out of her bed last night, and went and banged on my Giovanna's door. She said she heard some one talking to her. Upon my soul, fancy such a thing! She has gone entirely mad; she always was half so." "Ah!" was all that Costantino said. "Listen, my soul," said Aunt Bachissia, lowering her voice. "Giovanna tells me that the old colt suspects----" "What?" asked Costantino, raising his head quickly.