Cumberland Mountains -- Fiction; Man-woman relationships -- Fiction; Mines and mineral resources -- Fiction; Tennessee -- Fiction
Miss Wardwell had risen, with Carfax backgrounding her because he
was obliged to, and Tregarvon introduced Wilmerding as a fellow
Pennsylvanian from the Pittsburgh end of the State. Elizabeth was
pleasantly gracious to the young superintendent of coal mines, seeming
to welcome him as in some sort a saver of situations; at least, so it
appeared to Tregarvon. In the readjustment the judge sank back into
the depths of his armchair, and Carfax surrendered his place in the
window-seat to Wilmerding and wandered to another window to stand with
his back to the room and his hands in his pockets. This was Tregarvon’s
opportunity to say the needed word to the golden youth, but at its
offering a sudden passionate impulse seized him and he crossed quickly
to the piano alcove. “I see you have my nocturne,” he whispered,
bending over the pianist and indicating the Chopin on the piano-desk;
“please play it for me.”
As if his masterful mood were not to be safely denied, her fingers
fell upon the keys in the opening chords of the nocturne; and this was
the beginning of what gradually grew to be an interval of suspended
possibilities. Almost at once, Tregarvon realized that Richardia was
playing only from the fingers outward--faultlessly, but mechanically;
that Carfax was wandering from one window to another in a sort of
aimless unrest; that Elizabeth was setting all her serene traditions
at defiance by chatting eagerly, like an escaped school-girl, with
Wilmerding.
A few minutes further along, when Carfax dragged a chair into the
window recess and deliberately broke in upon Miss Wardwell and her
companion, the spirit of disquietude seemed to seize upon the judge,
also, since he wheeled his armchair to face the window group and did
violence to all the Westwood House musical unities by joining in the
low-toned conversation. This gave Tregarvon his excuse; and when the
nocturne ran away at its close into delicate little improvisations, he
spoke again in the guarded undertone.
“Hartridge may have told you that I accidentally surprised your secret
yesterday afternoon. I did, you know; but I want you to be assured that
it is as safe with me as it is with the professor, or with any of your
friends who know it.”
If he were expecting any manifestation of surprise it was not
forthcoming. So far from it, there was no break in the improvisation
harmonies.
“Some day I hope it won’t be necessary to make a secret of it,” she
replied evenly, matching his low tone.
“Does Elizabeth know?”
“Not yet. But I shall tell her.”
“Has she told you that our engagement is broken?”
Her nod was barely perceptible.
“I hope she told you that I didn’t break it.”
“Yes; she told me that, too.”
“You are not saying it, but deep down in your heart you are telling
yourself that I have got only what was coming to me. Isn’t that true?”
The answer came from lips that were paling a little. “Ask yourself.”
Public-domain text, read in full here on John Shaqi.
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