Cumberland Mountains -- Fiction; Man-woman relationships -- Fiction; Mines and mineral resources -- Fiction; Tennessee -- Fiction
“Yes. I meant to stay long enough to make somebody suffer for the
bushwhackings, but that is past. I have sent for Peters, our family
lawyer, and when he comes we shall settle the property affair.
Three-fifths of the stock in the mine will go to my mother and sister,
and the remainder will be turned over to your father to be distributed
among the Parker victims. This is what I have been meaning to do all
along, if I should be fortunate enough to discover the coal.”
She shook her head. “You are reckoning without my father. He won’t take
the money.”
“He must be made to take it. It is only just and fair. When it comes to
that, you must help me, Richardia; for his sake and for your brother’s.”
“Poor Dick!” she murmured. “He needs a friend much more than he needs
the money; some one who would care enough for him to stand by and hold
him up to the best there is in him. There _is_ good in him; you may not
believe it now, but there is, really--lots of it.”
“I can very readily believe it, since he is your brother and the son of
your father. And he has proved it to-night by climbing into the breach
for McNabb. He will have his chance on the Ocoee, and Wilmerding will
be his friend.”
“Then you are determined to go away?”
“Yes. I owe it to you and to everybody else, not less than to myself.
But some day, Richardia, after I have done penance for the sin of
loving you before I had a right to I am coming back. But I had
forgotten; your brother wished me to ask you to play for him; something
that would drive the devil away. He said he wanted to think.”
She went to the piano at once. Alone among the old-fashioned house
furnishings it was modern; an artist’s instrument, full-toned and
responsive. Tregarvon sank into an armchair before the blazing logs and
gave himself up to the quiet ecstasies of the music-lover. From the
first her playing had stirred him as no other chamber-music ever had.
For a time he knew that she was improvising; then there were gentle
themes from Mendelssohn, shading one into another so deftly that he
could never mark the changes. And at the last there was the Chopin
nocturne.
While the closing chords of the night-song were still lingering in the
air she came to sit in a chair at the opposite corner of the hearth.
“You played the Chopin for me; was that your way of telling me that I
might come back some day, Richardia?” he asked quite humbly.
Her hands were clasped over one knee and her gaze was fixed upon the
blue and yellow flames in the great fireplace, when she said softly:
“You are very human--and very blind; so blind that you haven’t seen
that I have had to fight for two--for myself no less than for you. And
there have been times when--when I almost _hated_ Elizabeth!”
The Tregarvon blood was not sluggish; at least, he had never found it
so before; but for the moment he was like a man stricken suddenly dumb.
Then the gift of speech came back, laboring as it could in the turmoil
of new ecstasies.
Public-domain text, read in full here on John Shaqi.
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