After the War: A Southern Tour. May 1, 1865 to May 1, 1866Reid, Whitelaw
History
After the War: A Southern Tour. May 1, 1865 to May 1, 1866
Reid, Whitelaw
Plantation life; Reconstruction (U.S. history, 1865-1877); Southern States -- Description and travel
These people were not always outcasts. Under the great Napoleon they
were citizens of the French Empire. It was only when the flag of the
free came to cover them that they were disfranchised; only when they
were transferred to a republic that they lost their political rights.
Hitherto they have held themselves aloof from the slaves, and
particularly from the plantation negroes; have plumed themselves upon
their French descent, and thus isolated from both races, have
transferred to Paris an allegiance that was rejected at Washington.
“But now,” as one of them very frankly said during the evening, “we see
that our future is indissolubly bound up with that of the negro race in
this country; and we have resolved to make common cause, and rise or
fall with them. We have no rights which we can reckon safe while the
same are denied to the fieldhands on the sugar plantations.”
Among the negro men present were several who, whether in complexion,
clothes or conversation, would never have been suspected in any mixed
company at the North of being other than intelligent and polished
ornaments of the Anglo-Saxon race. Mingled with these were others of
darker hues, ranging down to mulattoes, and even darker still; and among
them were several negro officers whose behavior Generals Butler and
Banks had highly praised. A group of beautiful ladies, apparently white,
was suddenly invaded by a quaint old chocolate-colored dame, with high
bandana wound about her head, subscription-book in hand, and the most
extraordinary squeaking tones, calling for the taking of shares in her
raffle. She was the grandmother of two of the young ladies! Madame
Mottier, a mulatto, or quadroon, in whose education I think Boston had
some hand, seemed to be the inspiring divinity of the fair, to whom all
looked for direction or advice. She is teacher in a colored school.
By and by Mr. Pierre Soulé’s piano, under quadroon fingers, began a
march, and manly voices—albeit not from Rebel throats—swelled the
chorus. And so we left them: negroes raffling fans and picture-frames
and sets of jewelry in the Soulé parlors; negroes selling ice-cream in
the Soulé dining-room; negroes at his piano; negroes in his library;
negroes swarming amid his shrubbery; and yet as handsome, as elegantly
dressed, and in many respects almost as brilliant a party as he himself
ever gathered beneath his hospitable roof.
Remembering how eagerly they had been buying portraits of Mr. Lincoln, I
could not fail to recall, as we drove back, what I had seen in a picture
gallery during the day, where there were no obnoxious “niggers” about. A
picture of Lincoln hung side by side with one of Wilkes Booth, and above
the two was a large, handsomely finished portrait of Robert E. Lee!
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Footnote 31:
Public-domain text, read in full here on John Shaqi.
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