After the War: A Southern Tour. May 1, 1865 to May 1, 1866Reid, Whitelaw
History
After the War: A Southern Tour. May 1, 1865 to May 1, 1866
Reid, Whitelaw
Plantation life; Reconstruction (U.S. history, 1865-1877); Southern States -- Description and travel
The outer levee was damaged by the unusually high floods which had
brought destruction to so many enterprising planters from the North; and
for some hundreds of yards our ambulances cut deep into the rich mud
over which the Mississippi had been depositing fresh alluvial soil. An
inner levee had been hastily heightened, and when we passed this, the
sodden, desolate aspect of the country changed. A few cabins, surrounded
by small inclosures, seemed to have been used in the old times for
trusty negroes sent to work or watch at the landing. Beyond these, the
road led us through a broad field of cotton, unbroken by hill or valley,
fence or tree, save here and there a single cotton-wood, whose position
by the roadside had saved it. The whole face of the country, almost as
far as the eye could reach, was plowed into what a Northern farmer would
have taken for low sweet-potato ridges. On the tops of these ridges, in
separate hills, grew the soft and still tender cotton-stalks, beginning
to be well covered with the white and red flowers; for even cotton wore
the Rebel colors. The petals were soft and flabby, and the flower was
like a miniature hollyhock. For these “earliest blooms” planters keep
eager watch, and to have the first in a neighborhood is a distinction,
prized as a Northern farmer would prize a premium for the best crop of
wheat in a county.
Occasionally a few rows were found carefully tilled and free from weeds;
but in very many more, weeds and cotton were struggling for the mastery,
with the emancipated negroes reveling in their first taste of liberty,
spectators rather than participants in the contest on which their
support depended. Doubtless the plantation had looked better under Mr.
Davis’ control, indifferent planter as he was.
Public-domain text, read in full here on John Shaqi.
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