In the upper rooms are to be seen the paintings and _fresques_ found in the same place. The paintings are poor things, and in their landscapes the Romans seem to have had little more idea of perspective than the Chinese; but the _fresques_ are beautiful: the female figures belonging thereto are delineated with the utmost grace and delicacy. They consist of subjects chiefly from the mythology. I noticed the following in particular, viz., Chiron teaching the young Achilles to draw the bow; the discovery of Orestes; Theseus and the Minotaur (he has just slain the Minotaur and a boy is in the act of kissing his hand as if to thank him for his deliverance; the Minotaur is here represented as a monster with the body of a man and the head of a bull); a Centaur carrying off a nymph; a car drawn by a parrot and driven by a cricket: a woman offering to another little Loves for sale (she is pulling out the little Cupids from a basket and holding them by their wings as if they were fowls); a beautiful female figure seated on a monster something like the Chimaera of the ancients and holding a cup before the monster's mouth (emblematical of Hope nourishing a Chimaera). The arabesques taken from Pompeii and preserved here are very beautiful. Here also are two statues found in Pompeii: the one representing a drunken Faun, the other a sitting Mercury. We met two Polish ladies here, who were amusing themselves in copying the _fresques_. We returned to Naples at five o'clock, and dined at the _Villa di Napoli_. In the evening we went to the _Teatro de' Fiorentini_. The piece performed was Pamela or _La virtû premiata,_ which I understand is quite a stock piece in Italy. It is written by Goldoni. It was very badly performed; the actors were not perfect in their parts, and the prompter's voice was as loud as usual. The costume was appropriate enough, which is far from being always the case at this theatre. NAPLES, 13 Octr.