I have very little pleasure in visiting royal Palaces, unless they have been the residence of some transcendent, person like Napoleon or Frederick II of Prussia, as the sight of splendid furniture and royal pomp affords me no gratification; and I would rather visit Washington's or Lafayette's farms in company with these distinguished men than dine with all the monarchs of Europe. After a hasty glance at the furniture of the Tuileries, what fixed my attention for a considerable time was "La Salle des Maréchaux," where are the portraits of all the modern French Marshalls. They are all full length portraits and are striking resemblances; some are in the Marshall's undress uniform and others in the full court costume which is very elegant, being the costume of the time of Francis I with the Spanish hat and plumes. I did not observe Ney's or Soult's portraits among them. In front of the great square of the Tuileries where the troops exercise, stands the Arch of Triumph erected by Napoleon, commonly called _l'Arc du Carrousel_. It is a beautiful piece of architecture, but is far too small to tally with such a vast mass of buildings as the Palace and offices of the Tuileries. By the side of them it appears almost Lilliputian. It would have been better to have made it in the style of the triumphal arch of the Porte St Denis. On this arc of the Carrousel are _bas-reliefs_ both outside and inside, representing various actions of Napoleon's life. He is always represented in the Roman costume, with the imperial laurel on his brows, with kings kneeling, and presenting the keys of conquered cities. On the outside are statues, large as life, in modern military costume, representing the different _armes_ which compose the French army.[37] On the top of this Arc du Carrousel is an antique car of triumph, to which are harnessed the four bronze horses which were taken from the façade of the Church of San Marco in Venice. They are of beautiful workmanship and of great antiquity. What various and mighty revolutions have these horses witnessed! Cast in Corinth in the time of the glories of the Grecian commonwealths and removed by conquest to Rome, they witnessed the successive fall of the Grecian and Roman states; transferred to Constantinople in the time of Constantine, and from thence removed to Venice when Constantinople fell into the hands of the French and Venetians; transferred from thence to Paris in 1798, they have witnessed the successive falls of the Eastern and Western Empires, of the Republic of Venice and the Napoleonic dynasty and Empire. Report says they are to be restored to Venice; and who knows whether they may not be destined one day to return to their original country, Greece, under perhaps Russian auspices?