The change to transport from the depths of woe, In those permitted to embrace again, The best of fathers, husbands, and of men!" [[A.D. 1790.]] Then the queen held a drawing-room, and afterwards attended the theatre, so anxious was she to {193}prove to the nation that the king had really recovered. As she entered the play-house shouts of welcome from an immense audience greeted her, the orchestra struck up "God save the King," and so great was the enthusiasm that it was repeated five times, and succeeded by an anthem, in which the spectators took part. A visit to St. Paul's was made by the royal family in April, when an immense concourse of people assembled to take part in the ceremonies, and the king seemed fully absorbed in his devotions during the service. He was heard afterwards to say that his illness had been a perfect bliss to him, because it had proved how confidently he might rely on the support of his people. Strange to say, the king's sons were the last to acknowledge his sanity, and the least rejoiced at his restoration to health. They did their utmost to keep as many people as possible away from congratulatory balls; and at one given by the French ambassador they would neither dance nor remain to supper, because they desired to appear inattentive to their mother, who was present. The reason for this conduct was that her majesty had opposed an unqualified regency for the prince, and neither he nor his brothers could forgive her for standing between them and the power they coveted. No sooner did the king resume the reins of government than, contrary to the Prince of Wales's expectations, he conveyed to parliament his approval of all the actions of his ministers during his long illness, and removed from office all those who had opposed his cause with a view to gaining favor with the heir-apparent. Queen Charlotte had a mania for the collection of precious stones, as some people have for porcelain, coins, or stamps; and at the first drawing-room which she held, just after the king's recovery, she fairly glittered in a blaze of diamonds. Around her neck was a double row of these {194}gems, to which was suspended a medallion. Across her shoulders were festooned three rows of costly pearls, and a portrait of the king was hung on the back of her skirt from five rows of brilliants, producing a gorgeous effect. The tippet was of fine lace, fastened with the letter G in diamonds of immense value, and in her majesty's hair was "God save the King," in letters formed of the same costly gems. The princesses were beautifully attired, and all the noble ladies wore emblematical designs, painted, as fancy or loyalty dictated, on the satin part of their headdresses.