“No girl can resist Guy Remington,” he thought. “I’m glad there’s a
Lucy Atherstone over the sea.” And with a smile of encouragement for
Maddy, who was pale with nervous timidity, he listened while her sweet,
birdlike voice trembled for a moment with fear; and then, gaining from
its own sound, filled the room with melody, and made those who had
wandered off to other parts of the building hasten back to see who was
singing.
Maria Cutler had presided at the piano earlier in the evening, as had
one or two other young ladies, but to none of these had Guy paid half
the attention he did to Maddy, staying constantly by her, holding her
fan, turning the leaves of music, and dictating what she should play.
“There’s devotion,” tittered a miss in long ringlets; “but she really
does play well,” and she appealed to Maria Cutler, who answered, “Yes,
she keeps good time, and I should think might play for a dance. I mean
to ask her,” and going up to Guy she said, “I wish to speak to—to—well,
Jessie’s governess. Introduce me, please.”
Guy waited till Maddy was through, and then gave the desired
introduction. In a tone not wholly free from superciliousness, Miss
Cutler said:
“Can you play a waltz or polka, Miss Clyde? We are aching to exercise
our feet.”
Maddy bowed and struck into a spirited waltz, which set many of the
people present to whirling in circles, and produced the result which
Maria so much desired, viz: it drove Guy away from the piano, for he
could not mistake her evident wish to have him as a partner, and with
his arm around her waist he was soon moving rapidly from that part of
the room, leaving only the doctor to watch Maddy’s fingers as they flew
over the keys. Maddy never thought of being tired. She enjoyed the
excitement, and was glad she could do something toward entertaining
Guy’s guests. But Guy did not forget her for an instant. Through all
the mazes of the giddy dance, he had her before his eye, seeing not the
clouds of lace and muslin encircled by his arm, but the little figure
in blue sitting so patiently at the piano until he knew she must be
tired, and determined to release her. As it chanced, Maria was again
his partner, and drawing her nearer to Maddy, he said, “Your fingers
ache by this time, I am sure. It is wrong to trouble you longer. Agnes
will take your place while you try a quadrille with me.”
“Oh, thank you,” Maddy answered. “I am not tired in the least. I had as
lief play till morning, provided they are satisfied with my time and my
stock of music holds out.”
“But it is not fair for one to do all the playing; besides, I want you
to dance with me—so consider yourself invited in due form to be my next
partner.”
Maddy’s face crimsoned for an instant, and then in a low voice she
said, “I thank you, but I must decline.”
“Maddy!” Guy exclaimed, in tones more indicative of reproach than
expostulation.
Public-domain text, read in full here on John Shaqi.
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