Those were dark, wearisome days to Maddy, and the long, cold winter was
gone from the New England hills, and the early buds of spring were
coming up by the cottage door, the neighbors began to talk of the
change which had come over the young girl, once so full of life and
health, but now so languid and pale. Still Maddy was not unhappy, nor
was the discipline too severe, for by it she learned at last the great
object of life; learned to take her troubles and cares to One who
helped her bear them so cheerfully, that those who pitied her most
never dreamed how heavy was her burden, so patiently and sweetly she
bore it. Occasionally there came to her letters from the doctor, but
latterly they gave her less pleasure than pain, for as sure as she read
one of his kind, friendly messages of sympathy and remembrance, the
tempter whispered to her that though she did not love him as she ought
to love her husband, yet a life with him was far preferable to the life
she was living, and a receipt of his letters always gave her a pang
which lasted until Guy came down to see her, when it usually
disappeared. Agnes was now at Aikenside, and thus Maddy frequently had
Jessie at the cottage, but Agnes never came, and Maddy little guessed
how often the proud woman cried herself to sleep after listening to
Jessie’s recital of all Maddy had to do for the crazy man, and how
patiently she did it. He had taken a fancy that Maddy must tell him
stories of Sarah, describing her as she was now, not as she used to be
when he knew her, but now. “What is she now? How does she look? What
does she wear? Tell me, tell me!” he would plead, until Maddy, forced
to tell him something, and having distinctly in her mind but one
fashionable woman such as she fancied Sarah might be, told him of Agnes
Remington, describing her as she was in her mature beauty, with her
heavy flowing curls, her brilliant color, her flashing diamonds and
costly laces, and Uncle Joseph, listening to her with parted lips and
hushed breath, would whisper softly, “Yes, that’s Sarah, beautiful
Sarah; but tell me—does she ever think of me, or of that time in the
orchard when I wove the apple blossoms in her hair, where the diamonds
are now? She loved me then; she told me so. Does she know how sick, and
sorry, and foolish I am?—how the aching in my poor, simple brain is all
for her, and how you, Maddy, are doing for me what it is her place to
do? Had I a voice,” and the crazy man now grew excited, as, raising
himself in bed, he gesticulated wildly, “had I a voice to reach her,
I’d cry shame on her, to let you do her work, let you-wear your young
life and fresh, bright beauty all away for me, whom she ruined.”
The voice he craved, or the echo of it, did reach her, for Jessie had
been present when the fancy first seized him to hear of Sarah, and in
the shadowy twilight she told her mother all, dwelling most upon the
touching sadness of his face when he said, “Does she know how sick and
sorry I am?”
Public-domain text, read in full here on John Shaqi.
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