Ailsa Paige: A NovelChambers, Robert W. (Robert William)
History
Ailsa Paige: A Novel
Chambers, Robert W. (Robert William)
United States -- History -- Civil War, 1861-1865 -- Fiction; War stories, American
"The cigar--I put it in my overcoat pocket wrapped in a bit of
paper. . . . You--you don't mean to tell me that it's not there!"
Burgess searched the pockets with a perfectly grave face.
"It ain't here; no, sir."
Philip flung himself into the corner of his seat, making no effort
to control his laughter:
"Burgess," he managed to say, "the dear old days are returning
already. I'll stay here and read; you go forward and smoke that
cigar. Do you hear?"
"Yes, sir."
Again, just as he had done every day since leaving camp, he reread
Ailsa's letter, settling down in his corner by the dirty, rattling
window-pane:
"Everybody writes to you except myself. I know they have told you
that it is taking a little longer for me to get well than anybody
expected. I was terribly tired. Your father has been so sweet;
everybody has been good to me--Celia, poor little Camilla, and
Stephen. I know that they all write to you; and somehow I have
been listlessly contented to let them tell you about home matters,
and wait until my strength returned. But you must not doubt where
every waking memory of mine has centred; my thoughts have circled
always around that central vortex from which, since I first laid
eyes on you, they have never strayed.
"Home news is what all good soldiers want; I write for you all I
know:
"The city is the same hot, noisy, dirty, dusty, muddy, gridiron,
changed in nowise except that everywhere one sees invalid soldiers;
and there are far too many officers lounging about, presumably on
furlough--too many Captain Dash's, twirling black moustaches in
front of fashionable hotels. There are no powder stains on their
uniforms, no sun-burn on their cheeks. They throng the city; and
it is a sinister phenomenon.
"I think Broadway was never as lively, never quite as licentious.
Those vivid cafes, saloons, concert halls, have sprung up
everywhere; theatres, museums, gardens are in full blast; shops are
crowded, hotels, street cars, stages overflowing with careless,
noisy, overdressed people. The city is _en fete_; and somehow when
I think of that Dance of Death thundering ceaselessly just south of
us, it appalls me to encounter such gaiety and irresponsibility in
the streets.
"Yet, after all, it may be the safety-valve of a brave people.
Those whirling daily in the Dance of Death have, at least, the
excitement to sustain them. Here the tension is constant and
terrible; and the human mind cannot endure too much tragedy.
". . . They say our President fits a witticism to the tragedy of
every battle-field; but it may be to preserve his own reason
through these infernal years. He has the saddest eyes of any man
since the last Martyr died.
Public-domain text, read in full here on John Shaqi.
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