Poetry -- 20th century -- Periodicals; Short stories -- Periodicals
But they wa’n’t. When I hove in sight Montague was settin’ up on the
ground at the foot of the sand bank he’d fell into, and the two hounds
was rollin’ over him, lappin’ his face and goin’ on as if he was their
grandpa jest home from sea with his wages in his pocket. And round
them, in a double ring, was all the town dogs, crazy mad, and barkin’
and snarlin’, but scared to go any closer.
In a minute more the folks begun to arrive; boys first, then girls and
men, and then the women. Marks come trottin’ up, poundin’ the donkey
with his umbrella.
“Here, Lion! Here, Tige!” he yells. “Quit it! Let him alone!” Then he
looks at Montague, and his jaw kind of drops.
“Why--why, _Hank_!” he says.
A tall, lean critter, in a black tail coat and a yaller vest and
lavender pants, comes puffin’ up. He was the manager, we found out
afterward.
“Have they bit him?” says he. Then he done jest the same as Marks; his
mouth opened and his eyes stuck out. “_Hank Schmults_, by the livin’
jingo!” says he.
Booth Montague looks at the two of ’em kind of sick and lonesome.
“Hello, Barney! How are you, Sullivan?” he says.
I thought ’twas about time for me to git prominent. I stepped up, and
was jest goin’ to say somethin’ when somebody cuts in ahead of me.
“Hum!” says a voice, a woman’s voice, and toler’ble crisp and vinegary.
“Hum! it’s you, is it? I’ve been lookin’ for _you_!”
’Twas Little Eva in the pony cart. Her lovely posy hat was hangin’ on
the back of her neck, her gold hair had slipped back so’s you could see
the black under it, and her beautiful red cheeks was kind of streaky.
She looked some older and likewise mad.
“Hum!” says she, gittin’ out of the cart. “It’s you, is it, Hank
Schmults? Well, p’r’aps you’ll tell me where you’ve been for the last
two weeks? What do you mean by runnin’ away and leavin’ your----”
Montague interrupted her. “Hold on, Maggie, hold on!” he begs. “_Don’t_
make a row here. It’s all a mistake; I’ll explain it to you all right.
Now, please----”
“Explain!” hollers Eva, kind of curlin’ up her fingers and movin’
toward him. “Explain, will you? Why, you miser’ble, low-down----”
But the manager took hold of her arm. He’d been lookin’ at the crowd,
and I cal’late he saw that here was the chance for the best kind of
an advertisement. He whispered in her ear. Next thing I knew she
clasped her hands together, let out a scream and runs up and grabs the
celebrated British poet round the neck.
“Booth!” says she. “My husband! Saved! Saved!”
And she went all to pieces and cried all over his necktie.
And then Marks trots up the child, and that young one hollers: “Papa!
papa!” and tackles Hank around the legs. And I’m blessed if Montague
don’t slap his hand to his forehead, and toss back his curls, and look
up at the sky, and sing out: “My wife and babe! Restored to me after
all these years! The heavens be thanked!”
Public-domain text, read in full here on John Shaqi.
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