Poetry -- 20th century -- Periodicals; Short stories -- Periodicals
Her manners, her society, her behavior in drawing room, ballroom and
street, are those of an older and more elegant world. Why should she
change? The girls in all other parts of the South may go unchaperoned
to balls, but she does not allow her girls to do it. Neither does the
exclusive Philadelphian nor the Knickerbocker of New York.
Other clubs use their windows as lounging places for the curious,
where idle men may sit and stare at the parade of women who pass on
the street. Charleston considers this vulgar. The front windows of its
club have drawn blinds. It is also regarded as beneath a gentleman to
mention a woman’s name in the club.
Promoters can talk all they wish, but, charm they never so wisely, they
can’t persuade the Charlestonian to welcome with delight a horde of
unidentified tourists. Cottages are rented here and there for writers
and artists and quiet people, but Charleston shakes her head when
approached on the subject of huge hotels which will accommodate the man
with millions from the swarming centers of America. She does not want
her streets, her shops or her atmosphere invaded by aliens.
It is almost impossible to think of her graciously accepting new blood
and new customs. The most notable person who came there would, if
accepted, owe his reception to the fact that one of her own had said
something of him. In this she has her counterpart in the creole of New
Orleans.
General John B. Gordon described this feeling in the French city with
a story of the Civil War. A Virginia soldier was boasting of General
Robert E. Lee during the first year of the war.
“Lee? Lee? I think I have heard General Beauregard speak well of Lee,”
answered the Creole zouave, as he rolled his cigarette.
Even the best lovers of innovation should eagerly desire Charleston to
retain its serenity. New ways would mean tearing down old places, not
at once, but in the end. And this would mean historical desecration.
St. Michael’s, its famous Episcopal church, should never be swamped by
incongruous buildings, as New York’s famous old churches have been.
It is to be preserved not only because of its socially exclusive
congregation, but because of the manifold troubles it has outlived.
Among its own people it is jestingly referred to as the Chapel of
Ease of the St. Cecilia Society, but every South Carolinian ardently
loves the old building. It was first opened for service in 1761, and
is still the finest piece of church architecture in the South. In
1782 the English took possession of the bells, and sent them to Great
Britain. The next year they were bought and sent back to Charleston.
When General Sherman was an unwelcome guest in 1865, two bells were
stolen and the rest made useless. These were sent to England, and a new
set recast by the firm which had made them in 1764. The same patterns
were exactly followed, and the bells replaced in 1867. During the great
earthquake of 1886, the bells and belfry were fearfully shaken, but no
harm came.
Public-domain text, read in full here on John Shaqi.
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