Poetry -- 20th century -- Periodicals; Short stories -- Periodicals
“When I first beheld you in the orchard, I was sorry that I might
have to die, Pomona, because you were in life. You carried me in your
arms and kept my soul from passing, by the touch of your lips. When
the fever burned me you brought me coolness--you lifted me and gave
me breath. All night you held me. Patient, strong Pomona! You bore
with all my humors. You came to me in the night from your sleep, all
in white, like an angel, your bare feet on the boards. Oh, my gentle
nurse, my humble love, my mate, my wife!”
She raised her head to gaze at him. Yet she took the wonder like a
child, not disclaiming, not questioning.
“Oh!” she said, with a deep, soft sigh.
He fondly pushed the tangled hair from her brow.
“And shall a man make shift with sham and hollow artifice when he can
possess truth itself? They put paint on your cheeks, my Pomona, and
tricked you out in gauds, and behold, I saw how great was the true
woman beside the painted doll!”
He kissed her lips, and then he cried:
“Oh, golden apple, how is the taste of thee sweet and pure!”
And, after a silence, he said to her, faintly, for he was still weak
for such rapture:
“Lift me, my love, and let me lie a while against your woman’s heart,
for never have I drawn such sweet breath as in your arms.”
THE MASTER OF THE DIDO
BY ELIZABETH DUER
[Illustration]
A certain great corporation was digging up New York and setting
microbes loose in quarters too aristocratic to suffer inconvenience
with patience, and so there were a general boarding up of front doors
and windows, a rush to Europe or to watering places; and my elders, who
were just recovering from the grip, decided that Southstrand in the
month of May was preferable to pneumonia in town. Therefore I--Kate
Russell--was sent on ahead to open my mother’s cottage at that gay
little resort, in spite of my uncle Barton Hay’s warnings against such
an unchaperoned proceeding, and mamma’s distrust of my housekeeping
powers. She was not strong enough to undertake it herself, but to
intrust the sacred rites of cleaning and unpacking to the supervision
of a girl of twenty seemed to her abnormal; while uncle Barton felt
that no unmarried woman should be given such liberty.
My uncle had condescended to live with us since my father’s death, and,
while he was too set in his ways to do anything for anybody, we were
much attached to him, and let him bully us, as most women do the one
man in the house.
“Julia,” he said, addressing my mother, “you are surely not going to
send Kate off alone to that jumping-off place, Southstrand! If some
young fellow elopes with her, you’ll have yourself to thank.”
“This is the twentieth century, Barton,” said mamma, laughing; “young
women do not elope nowadays. They may defy parents and divorce
husbands, but they don’t elope.”
Public-domain text, read in full here on John Shaqi.
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