"Another one coming, sir," said the Flight Sergeant suddenly, and
pointed to a machine whirling towards them at a thousand feet up. There
was nothing wrong with this one, anyhow. She roared in over their
heads, banked and swung, slid down smoothly and gracefully, touched
and ran and slowed, and came to rest with the engine just running. It
whirred up into speed again and brought her taxi-ing in towards the
sheds and the mechanics running to meet her. The Major and the pilot,
walking back towards the sheds, were talking of the show: "Something
terriff., sir--never saw such a blaze of a barrage--and the place fair
stiff with machine-guns. Yes, crowds of Huns--and ours--hardly pick
a way without bumping--I put a good burst into one Albatross--didn't
see----"
The Major interrupted: "Can you make out the letter--ah, there, 'K,'"
as the machine, taxi-ing into the sheds, slewed, and they saw the big
"K" on her side.
"'The Kiddie,'" said the pilot. "Morton's 'bus. Seemed to be running
strong enough."
They quickened their pace, the Major with a growing fear that turned
to certainty, as they saw men come from the sheds, clamber up on the
machine, stoop over the pilot, and begin to lift him.
They found Morton hit in the foot and badly. But before he was well
clear of the machine he was laughing and asking for a cigarette. "Yes,
I stopped one, Major; but it doesn't feel too bad. Hullo, Solly, what's
yours?"
"Engine hit, conked out, crashed her edge of the 'drome here," said
Solly hurriedly. "I say, Major, can I take 'The Kiddie' and go back?
I'm all right, and so is she--isn't she, Morton?"
"Better take a rest," said the Major. "After a crash like that----"
But Solly argued, protested so eagerly, that the Major gave in. The
mechanics bustled and swarmed about "The Kiddie," filling the oil and
petrol tanks, securing her light bombs on the racks fitted under her,
replacing the expended rounds of machine-gun ammunition. And before
Morton had finished his smoke or had the boot and sock cut from his
foot, Solly was off. One might have imagined "The Kiddie" as eager
as himself, her engine starting up at the first swing of the prop,
roaring out in the deep, full-noted song that tells of perfect firing
and smooth running. Solly ran her up, eased off, waved his hand to the
two men standing holding the long cords of the chocks at her wheels.
The chocks were jerked clear, "The Kiddie" roared up into her top
notes again, gathered way, and moved out in a sweeping circle that
brought her into the wind, steadied down, gathered speed again across
the grass, lifted her tail, and raced another hundred yards, rose and
hoicked straight up as if she were climbing a ladder. At a couple of
hundred feet up she straightened out and shot away flat, and was off
down wind like a bullet.
Public-domain text, read in full here on John Shaqi.
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