=Enlarging.=—In the French service contact printing was the rule during the war. The English practice, on the other hand, was to take small negatives—4 × 5 inches, with 8 to 12 inch lenses—and enlarge them, usually to 6½ × 8½ inches. For this purpose a regular part of the English photo section equipment was the _enlarging camera_ (Fig. 115). This may be briefly described as a short focus camera in which the subject to be photographed is a negative, illuminated by transmitted light, whose image is thrown by the camera lens on the paper or other sensitive surface. By making the distance between negative and lens less than that between lens and paper, the resulting print is an enlargement, and _vice versa_. The scale of enlargement or of reduction is varied over limits set only by the length of the camera and the amount of light available. The lens employed must of course possess sufficiently high quality to preserve all the sharpness of the negative, and focussing must be done with accuracy. Next to the lens the most important element is the light source. This may be of the point form, such as a concentrated filament electric lamp, an oxy-acetylene lime light, or an acetylene flame. The latter was extensively used in the English service, while acetylene generators for emergency purposes formed part of each American photo truck equipment. With point light sources we must use _condensers_ to focus the light into the projecting lens. Much less efficient, but the only recourse where large condensers are not available, is a diffusing glass behind the negative, illuminated either by a bank of electric lamps with mirrors or by a U tube mercury vapor lamp, where proper current can be got. The device for holding the printing paper must permit quick changing, but insure good contact. We may use either a spring plate to hold the paper against plate glass from behind, or else a weight acting on a lever arm of sufficient length. The need for some automatic means of focussing an enlarging camera has been very generally felt. An illustration of such an enlarging camera is that put out by Williams, Brown & Earle, of Philadelphia, known as the “Semperfocal” (Fig. 121). In this camera the movements of the lens, paper easel and negative are so inter-related and actuated with respect to each other that the correct focus of the instrument is maintained for any degree of enlargement or reduction. This feature is a great help in making up mosaic maps, where prints of continuously varying scale ordinarily occasion serious delay for individual focussing. [Illustration: FIG. 121.—“Semperfocal” enlarging camera, with mechanism for holding image in focus at any enlargement.]