The natural difficulties of interpreting aerial views are enormously increased by the unfamiliar nature and frequently changed character of the military structures, and particularly by the attempts made to conceal these from aerial observation by selection of surroundings and by camouflage. The small scale of the photographs, in which a machine gun shows as a mere pin point, adds to the uncertainty, with the net result of making interpretation a task of minute study and deduction worthy of a Sherlock Holmes. Little detailed information on interpretation can be profitably written in a general treatise, partly because the illustrations available are of a highly technical military character, partly because original photographs instead of halftone reproductions are practically imperative for purposes of study. Nevertheless some general instructions, applicable to any problem of interpretation, may be given, as well as a few illustrations, drawn from military sources, which will serve to show the detective skill necessary. First of all it is important that the print or transparency be held in the right position. The shadows must always fall toward the observer; otherwise, reliefs will appear as hollows and hollows will show as hills. The reason for this is that the body ordinarily acts as a shield, preventing the formation of shadows except by light falling toward the beholder. Thus in Fig. 162 the slag heap looks like a quarry when the shadows fall away from one. The necessity for proper direction of shadows is, it may be noted, in conflict with the ordinary convention for the orientation of maps—at least in the northern hemisphere. A city map, made by sunlight falling from the south, presents its shadows as falling away from the observer, when it is mounted with its north point at the top, as is customary. As a consequence buildings in aerial photographic mosaics of cities occasionally look sunken instead of standing out. [Illustration] Wrong way. Shadows falling away Right way. Shadows falling toward from observer. observer. FIG. 162.—The wrong way and the right way to hold a photograph for interpretation. [Illustration: FIG. 163.—Guide to interpretation of trench details.]